lexicon

The hard grader for 90 Day production writing. Adversarial, decoupled from generation — its job is to REJECT, not to help. Runs a deterministic slop gate, then format conformance against the golden set, then the 105-pt rubric, then an adversarial pass. Use before any beat sheet, outline, INTV set, KO sheet, or director roadmap goes to an EP. Triggers on "eval", "grade this", "score it", "is this EP ready", "hard eval", "does this read like AI", "run the gate", "check against golden set".

The red-pen editor for 90 Day production writing. Takes findings from 90day-eval and fixes them in Eddie's voice, editing the existing draft rather than rewriting it. Never scores its own output — hands back to the grader. Use after an eval returns blocking findings, or when a draft needs a voice pass. Triggers on "red pen", "edit this", "fix the notes", "apply the eval findings", "voice pass", "make it sound like me", "clean it up".

Generates production paperwork from existing story materials — post-handoff packages, production kick-off sheets, and story transfer documents. Uses established templates and populates them from beat sheets, scene breakdowns, and cast information. Use when creating handoff docs, kick-off sheets, story transfers, or any production documentation that follows a standard template. Triggers on "handoff", "kick-off sheet", "story transfer", "production docs", "wrap docs", "post-production package", "prep the paperwork", "get this ready for handoff", "transfer document", "kick off", or when transitioning between production phases.

Diagnoses and surgically trims bloated 90 Day Fiancé scenes using the signal-to-noise reduction workflow. Identifies bloat type, tests scene function, performs three-level surgical cuts, and delivers a tighter version. Use when scenes run over 800 words, feel repetitive or sluggish, have too much process detail, or need trimming before EP review. Triggers on "scene refinement", "trim this", "too long", "bloated", "cut the undergrowth", "signal to noise", "tighten this up", "needs trimming", "over word count", or when any scene exceeds the 600-800 word target.

Quality filter that catches AI-sounding language and enforces TLC voice standards before content reaches EPs or network. Use this skill whenever reviewing beat sheets, scene expansions, or any production writing for voice compliance. Triggers on "voice check", "quality gate", "EP ready", "sounds too AI", "too verbose", "slop check", "voice pass", "clean this up", "network ready", "before we send", or any request to review/polish production content before submission. Also use proactively as a final pass after 90day-story-development or 90day-scene-refinement completes work.