Menú
Plan or draft a fiction scene with a concrete character goal, meaningful opposition, a turning point, and a consequential result.
Instalar con Codex o Claude Copia este prompt, pégalo en Codex, Claude u otro asistente, y deja que revise la página de la skill y la instale por ti.
Basado en la clasificación ocupacional SOC
Use this skill for requests related to web research; it provides a structured approach to conducting comprehensive web research
Load when the MainAgent is assembling a comparison report across multiple narrative-direction explorations (results from parallel/sequential task(explorer) calls). Use to compare directions along narrative, character, cost, and reader-promise dimensions. "Branches" here means narrative branches — this is NOT a git branch tool.
Plan and track a character's long-term transformation arc, ensuring each action reflects their current stage of change.
Check physical, social, and psychological plausibility in fiction scenes.
Load when WriterAgent finishes a chapter draft or is planning a chapter that should set up later payoffs. Use to embed plant-able details (objects, gestures, line drops) for ch+2 or later, and to verify earlier plants get acknowledged. Skip for the very first chapter (no prior plants exist) and for pure dialogue scenes with no narrative scaffolding.
Plan or draft scenes where rhythm, tension, and momentum matter by balancing escalation and release.
| name | scene-structure |
| description | Plan or draft a fiction scene with a concrete character goal, meaningful opposition, a turning point, and a consequential result. |
Use this skill when planning or drafting a fiction scene.
A scene that only advances plot is doing the minimum. A strong scene simultaneously advances plot, reveals something about a character that was not visible before this pressure, and moves the emotional state of the reader. If removing the scene only removes an event and leaves the reader's understanding of the characters unchanged, the scene is underperforming.
The turn is not simply a change of events. The best turns force a character to make a choice that reveals who they really are, or land information that reframes what the reader thought they knew. After the turn, the character—and the reader—cannot return to the position they held at the scene's opening.
Complete this sentence before writing a single line of prose:
"The reader will discover ___ about [character name] in this scene."
The blank must be filled with something about who this character is—a specific desire in conflict, a fear surfacing under pressure, a behavior that contradicts their stated self. It cannot be filled with an event ("the reader will discover that the clone has already taken the phone").
If you cannot complete the sentence with a character-specific answer, the scene is not ready to write. Find what the scene is actually about before drafting.
