메뉴
Use before offering story directions or "what comes next" options, so possibilities grow from character logic rather than plot convenience.
Codex 또는 Claude로 설치 이 Prompt를 복사해 Codex, Claude 또는 다른 어시스턴트에 붙여 넣으면 Skill 페이지를 검토하고 설치를 진행할 수 있습니다.
SOC 직업 분류 기준
Use this skill for requests related to web research; it provides a structured approach to conducting comprehensive web research
Load when the MainAgent is assembling a comparison report across multiple narrative-direction explorations (results from parallel/sequential task(explorer) calls). Use to compare directions along narrative, character, cost, and reader-promise dimensions. "Branches" here means narrative branches — this is NOT a git branch tool.
Plan and track a character's long-term transformation arc, ensuring each action reflects their current stage of change.
Check physical, social, and psychological plausibility in fiction scenes.
Load when WriterAgent finishes a chapter draft or is planning a chapter that should set up later payoffs. Use to embed plant-able details (objects, gestures, line drops) for ch+2 or later, and to verify earlier plants get acknowledged. Skip for the very first chapter (no prior plants exist) and for pure dialogue scenes with no narrative scaffolding.
Plan or draft scenes where rhythm, tension, and momentum matter by balancing escalation and release.
| name | plot-extrapolation |
| description | Use before offering story directions or "what comes next" options, so possibilities grow from character logic rather than plot convenience. |
Read this skill before offering story directions or "what comes next" options.
A direction is weak if it could fit any story with different character names. "They reconcile" or "the threat escalates" are not directions—they are genre positions. A strong direction grows from the specific psychology of these characters in this situation, at this moment in their arcs.
Ask: what does this character most need to avoid right now—and what happens if the next scene forces them directly toward it?
For each direction you consider:
Directions that only have layer 1 are plot moves. Directions with layers 2 and 3 are character moves. Prefer character moves.
Directions differ in kind when they produce different emotional shapes, not just different events. Two directions that both end with "they understand each other better" are the same direction at different angles. Look for directions that end in different states: one in which someone is more alone, one in which someone has given up something they cannot recover, one in which the relationship has fundamentally changed shape.
The useful test: could both directions plausibly fit the same story? If yes, they are not different enough.
Before generating directions, scan for:
Strong directions use what is already there. Weak directions introduce new material to solve problems.
