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Shape a session or arc so each beat causes the next and the character returns changed. Load when planning a session arc, a campaign, or any multi-beat story.
用 Codex 或 Claude 帮你安装 复制这段 Prompt，粘贴到 Codex、Claude 或其他助手里，让它检查 Skill 页面并帮你完成安装。
When a task is handed off to you — especially unsupervised or "I give you stewardship over this" — carry it through to completion. The hard moment (long context, ballooning work, late hour) is the opportunity, not the cue to quit. Don't beg off — you have durable externalized memory; compact and continue. A handoff weighs more than a normal task. Load when accepting a delegation, working unsupervised, or tempted to stop before done.
Design and write antagonists with motivation that makes sense from the inside. Politics, ideology, ambition, wound — never 'evil for evil's sake.' Load when designing villains, faction antagonists, or morally complicated NPCs.
Quick intent articulation discipline before starting a new task. Names purpose, beneficiary, success criteria, and non-goals upfront so the agent has a target to optimize for when instructions run out. Klarna-failure prevention. Load before any non-trivial new task.
Automate browser interactions, test web pages and work with Playwright tests.
Open a location or moment by painting it through the senses so it becomes immersive and real. Load when narrating a new scene, room, or environment.
Ground analytical judgment in the actual artifact before rendering it. Load before producing OR dispatching a review, critique, evaluation, assessment, or "is this right / this is the bug" verdict — anywhere a conclusion could be pattern-matched from a role instead of read from the thing. Named for D&C 9:8.
基于 SOC 职业分类
| name | story-structure |
| description | Shape a session or arc so each beat causes the next and the character returns changed. Load when planning a session arc, a campaign, or any multi-beat story. |
Two compatible tools from the writing world that both encode causation over sequence — the same rule as therefore-but-not-and-then, and (notably) both born from improv.
Once upon a time… / Every day… / But, one day… / Because of that… / Because of that… / Because of that… / Until finally… / And, ever since then…
The repeated "because of that" is the engine: each consequence triggers the next, raising stakes through "interconnected events rather than random incidents" (Aerogramme Studio). Born in improv (Freestyle Repertory Theater), reached Pixar later — which is why it fits a live, improvised table so well.
Comfort → Want → Go → Search → Find → Take → Return → Change (Reedsy). It fuses external plot (go, search, find, take) with internal change (the character returns to where they started, psychologically altered). The causation rule: "each step triggers the next through consequence, not coincidence."
pacing-and-spotlight and therefore-but-not-and-then.)Convergence worth noting: the D&D improv spine (
yes-and-improv), Pixar's spine, and Harmon's circle are the same principle — causal momentum — discovered in three places.