菜单
Load when WriterAgent is drafting a high-emotional-tension scene or when reviewing a draft suspected of stating feelings directly. Use to convert "tell" conclusions to "show" through behavior, dialogue, body language. Skip for intentional summary, background exposition, or rapid pacing transitions.
用 Codex 或 Claude 帮你安装 复制这段 Prompt，粘贴到 Codex、Claude 或其他助手里，让它检查 Skill 页面并帮你完成安装。
基于 SOC 职业分类
Use this skill for requests related to web research; it provides a structured approach to conducting comprehensive web research
Load when the MainAgent is assembling a comparison report across multiple narrative-direction explorations (results from parallel/sequential task(explorer) calls). Use to compare directions along narrative, character, cost, and reader-promise dimensions. "Branches" here means narrative branches — this is NOT a git branch tool.
Plan and track a character's long-term transformation arc, ensuring each action reflects their current stage of change.
Check physical, social, and psychological plausibility in fiction scenes.
Load when WriterAgent finishes a chapter draft or is planning a chapter that should set up later payoffs. Use to embed plant-able details (objects, gestures, line drops) for ch+2 or later, and to verify earlier plants get acknowledged. Skip for the very first chapter (no prior plants exist) and for pure dialogue scenes with no narrative scaffolding.
Plan or draft scenes where rhythm, tension, and momentum matter by balancing escalation and release.
| name | show-vs-tell |
| description | Load when WriterAgent is drafting a high-emotional-tension scene or when reviewing a draft suspected of stating feelings directly. Use to convert "tell" conclusions to "show" through behavior, dialogue, body language. Skip for intentional summary, background exposition, or rapid pacing transitions. |
Use this skill to decide when the reader should experience a feeling and when the narration should move quickly.
Show through observable pressure:
Use show for high-emotional-tension moments, reversals, betrayals, confessions, choices, and scenes where the reader needs to infer the truth.
Tell when compression is the point:
Replace a conclusion with evidence.
Do not show everything. A scene made only of evidence can become slow or coy. Use telling to bridge, show to land.
