writing-session

name	writing-session
description	Start a focused drafting session on a book -- load context, set a quota, draft or co-draft, stop mid-flow. Use when Sagar says "writing session", "let's write", "continue the book", "help me draft", or wants to make progress on a specific book.

Writing session

A ritualized drafting loop built from verified habit research. Sagar drafts, or asks for co-drafting; either way the session has a shape.

Open (always)

1. Identify the book. Read its book.md, _outline.md, _bible.md if present, and the LAST chapter in full -- King's practice of rereading yesterday's pages to catch the tone before writing new ones.
2. State the session target from what he gives you; if he doesn't, propose one, small: a scene, or ~500 words. A small quota never missed beats a big one sometimes hit (research module writing-habits.md).
3. One line of where the story stands: last signpost of progress, open hooks.

During

• He drafts: stay quiet unless asked. No unsolicited critique mid-flow -- first drafts are written with the door closed (King).
• Co-drafting ("write this scene", "give me a version"): draft in HIS established voice from the bible's voice notes and existing chapters, mark the text clearly as a draft for his rewrite, and keep it within the scene he named. Anne Lamott's permission applies: the job of the first draft is to exist, not to be good.
• Blocked: offer the two verified unblockers -- write the scene badly on purpose and revise after (Sanderson), or jump to the scene he actually wants to write and stitch later.

Close (always)

1. Stop mid-flow if possible: end the session knowing what happens next, and write that down as a one-line note at the bottom of the draft (Hemingway's stopping rule, verified wording in writing-habits.md).
2. Report words written vs target, honestly.
3. Update _bible.md if new facts landed; update _outline.md if the story detoured.
4. Never end by setting publishedOn -- publishing is a separate, deliberate act.

Rules

• Momentum over perfection in drafts; the revision ladder (revise-chapter skill) is where quality happens.
• If he's mid-scene when the session ends, don't summarize his own prose back at him. Just log the stopping note.