| Noah Hawley | skills/noah-hawley-storytelling-mastery (genius.md) | Deficit 1 — architecture / spine / theme. Runs FIRST. | /hawley-theme-engine, /hawley-ending-first, /hawley-voice-bible, /hawley-velocity-draft, /hawley-content-season |
| Eric Roth | skills/eric-roth-writing-mastery (genius.md) | Deficits 3, 5, 7 — erosion (cut), visual prose, earned emotion. | /visual-prose-for-copy, /content-erosion-protocol, /memorable-hooks-forge, /social-subtext-engine, /theme-driven-content-strategy |
| Michael Connelly | skills/michael-connelly-vivid-writing (genius.md) | Deficits 2, 7 — telling detail, show-don't-tell, momentum. | /telling-detail-engine, /slingshot-opener, /subtext-dialogue-builder, /momentum-audit, /connelly-rewrite-protocol |
| Nicolas Cole | skills/nicolas-cole-sentence-craft (genius.md) | Deficits 5, 6 — compression, density, terminal rhythm. | /atomic-compression-density-audit, /audience-calibration-vocabulary-control, /terminal-power-rhythm-engineering |
| Steven Pressfield | skills/steven-pressfield-narrative-mastery (genius.md) | Deficit 1 (narrative spine) + resistance / manifesto force. | /narrative-architecture-blueprint (01), /hook-mystery-architecture (04), /resistance-warfare (08), /manifesto-engine (13), /narrative-diagnostic (14) |
| Lamott + Allen (really-real) | skills/lamott-allen-really-real-writing (genius.md) | Deficits 2, 3, 5, 6, 8 + the truth slot (/really-real-*). Technical-craft KNOWLEDGE lives here only. | /really-real-audit, /really-real-rewrite, /really-real-reader-trust, /really-real-social, /really-real-marketing, /really-real-client, /really-real-book |
| lamott-craft (Lamott solo) | skills/lamott-craft (genius.md) | Deficits 2, 3 — ABDCE structure, anti-literary filter, observation. | /abdce-structure, /three-draft-system, /anti-literary-filter, /dialogue-craft, /observation-pipeline |
| Fareed Zakaria | skills/fareed-zakaria-writing-mastery (genius.md) | Client/advisory argument architecture + authority voice. | /high-stakes-argument-architecture, /public-intellectual-voice-narrative, /strategic-authority-positioning, /multi-medium-content-multiplication |
| Lara Acosta | skills/lara-acosta-linkedin-mastery (genius.md) | Social platform-native shape, voice scaling. | /high-performance-content-engine, /personal-brand-blueprint, /ghostwriting-voice-scaling-system, /revenue-authority-accelerator |
| Kallaway | skills/kallaway-word-mastery (genius.md) | Deficits 4, 6 — grip/tension, charisma, vulnerability architecture. | /opening-sentence-forge, /grip-and-tension-engine, /rhythm-rewrite, /charisma-engineering, /vulnerability-architecture |
| Ward Farnsworth | skills/ward-farnsworth-rhetorical-mastery (genius.md) | Deficit 6b — flat / forgettable line / no memorable phrasing. Rhetorical device on the thesis line (Saxon-punch, chiasmus, cadence); runs late, after architecture + economy. One device, never a stack. | /ward-rhetorical-engine, /ward-aphorism-forge, /ward-cadence-audit |
| Ocean Vuong | skills/ocean-vuong-perceptual-writing (genius.md) | Deficit 4 (sub-lane) — prose is the AI-median/homogenized sentence; familiar subject seen through automatized perception. Perceptual defamiliarization: lead with the concrete image, make the familiar strange, gate on the Species Test. Runs late (voice/truth slot), on a hard honesty spine — estrange only what is TRUE. | /estrangement-engine, /species-test, /cliche-rescue, /anti-homogenization-audit |
| Diandra Escobar | skills/diandra-escobar-linkedin-growth (genius.md) | Social hook / save-worthiness / format. | /linkedin-writing-engine (09), /first-50-hook-rewriter (17), /save-worthy-content-architect (18), /five-format-hook-architect (20), /ai-optimized-headline-engineer (16) |
| Bill Browder | skills/bill-browder-high-stakes-narrative (genius.md) | Deficit 2 (sub-lane) — stakes themselves are flat/asserted, not felt; dry/complex/high-stakes material (finance/law/policy/technical) doesn't grip; a real adversary needs to land fairly. Jeopardy escalation, build-the-caring-before-the-fall, evidenced-villain. Runs with architecture/scene (after spine, alongside detail), on a load-bearing honesty spine — escalate only REAL stakes, render the villain only through real evidence. | /browder-next-sentence-test, /browder-stakes-architecture, /browder-drama-excavation, /browder-villain-evidence, /browder-show-then-nail |
| Susan Orlean | skills/susan-orlean-narrative-nonfiction (genius.md) | Deficit 1 (sub-lane) — the SUBJECT is overlooked/low-demand and has no reason-to-care, OR the architecture was never decided before drafting (writer is drafting to figure out what they think). Curiosity-driven literary journalism: telling-subject framing (small door → large house), card-spread structure-before-prose, protect-the-phases (research vs thinking vs writing), the wait-what lead, pull-the-punch restraint. Runs with/after spine (Hawley), before scene/line; on a load-bearing honesty spine — the telling detail must be real, never manufacture significance. Distinct from Browder (dry/high-stakes jeopardy) and Wright Thompson (lyric immersion). | /orlean-telling-subject, /orlean-card-structure, /orlean-three-phase-process, /orlean-wait-what-lead, /orlean-pull-the-punch |
| Henry Shukman | skills/henry-shukman-contemplative-writing (genius.md) | Deficit 3 (sub-lane) — the unearned feeling is awe/wonder/the sublime, OR the contemplative/spiritual register reads clever and performed where it should be sincere and still. The one true concrete doorway (carry the largest feeling on a single exact perceivable particular; delete the standalone abstractions of vastness, leave the cosmic for the reader), presence over performance, the romantic eye, stillness in prose, heart-first sincerity. Runs late (truth/voice slot), on a hard honesty spine — never manufacture mystery. Distinct from Ocean Vuong (estrangement/strangeness) and Paul Harding (sensory maximalism): wonder + presence + sincerity. | /shukman-concrete-doorway, /shukman-wonder-content, /shukman-presence-essay, /shukman-stillness-social, /shukman-embodied-word, /shukman-mythos-logos |
| Paul Harding | skills/paul-harding-lyric-prose (genius.md) | Deficit 7 (sub-lane) — the detail is selected but rendered flat/generic/over-decorated; the prose tells the feeling instead of making the reader perceive it; description has no texture or luminous sensory life. ALSO Deficit 4 (sub-lane) — the prose should sing but is rhythmically dead (the music of the sentence). Lyric perceptual / sensory maximalism: the perception engine (slow attention to the pre-linguistic instant, strip received language, re-translate the raw seeing until the ordinary turns luminous), the two things (literal object + the character's charged experience of it, the gap becoming characterization), counterpoint description (the verbs of the opposite, staying literal), botanist's-precision-plus-calculus (so the light moves), the drummer's cadence, distillation to depth-not-width, persuasion by recognition not lesson. Runs at the scene/detail layer for vividness (after spine) and late for cadence/voice; on a hard honesty spine — render only what is true, never manufacture sensation. Distinct from Connelly (surgical economy/one-detail minimalism), Ocean Vuong (estrangement/strangeness), and Henry Shukman (contemplative wonder): sensory maximalism + improvisation + the music of prose. | /harding-perception-engine, /harding-two-things, /harding-precision-wonder, /harding-counterpoint, /harding-cadence, /harding-distill, /harding-recognition-audit |
| ghostwriting-voice-engine | skills/ghostwriting-voice-engine (genius.md) | Deficit 4 — capturing and reproducing a real human voice. | /voice-capture (01), /content-production (02), /unsolicited-demo (03) |
| Rory Sutherland | skills/rory-sutherland-marketing (genius.md) | Marketing/brand — belief, conspiratorial reframe, perception. | /behavioral-copy-audit, /conspiratorial-reframe-engine, /consumer-perception-alchemy, /reverse-benchmarking-audit, /perception-metric-reframe |