wjs-reframing-video

name

wjs-reframing-video

description

Use when the user wants to convert a video between horizontal and vertical orientations while preserving the inverted aspect ratio (16:9 ↔ 9:16, 4:3 ↔ 3:4, 21:9 ↔ 9:21). The skill crops a narrow band from the source and tracks the active speaker — the person whose mouth is moving — via MediaPipe face landmarks and mouth-aspect-ratio variance, so the talker stays in frame even when other people are visible. Triggers — "横转竖", "竖转横", "做成竖屏发抖音/视频号/小红书", "16:9 to 9:16", "make this vertical for Reels / TikTok / YouTube Shorts", "crop to portrait", "convert to landscape".

wjs-reframing-video

Convert a video's orientation by cropping a narrow band from the source — not by physically rotating it. The crop window follows the active speaker (the face whose mouth is moving), not just the largest or most-confident face. A .crop.json sidecar records the crop plan, the per-segment speaker decisions, and the parameters used. The original input is never modified.

When to use

• Repurposing a 16:9 podcast / interview / talk for vertical short-video platforms (WeChat Channels 视频号, Douyin 抖音, Xiaohongshu 小红书, YouTube Shorts, TikTok, Reels).
• Repurposing a 9:16 phone recording for horizontal players (YouTube long-form, blog embeds).
• Repurposing 4:3 archive footage for 3:4 mobile, or vice versa.

The output aspect is the source aspect with width and height swapped — 16:9 → 9:16, not "letterboxed 16:9 in a 9:16 frame".

When NOT to use

• Multi-person Q&A where each face needs its own crop — this skill picks one crop track per video. For per-speaker split renders, use wjs-editing-multicam instead.
• Animated content / B-roll with no faces — falls back to center crop, usually wrong for the intent.
• Heavy camera motion in the source (handheld pan/zoom) — the face tracker amplifies camera shake. Stabilize first.
• Source already at target aspect — no work to do.

What this skill IS — and IS NOT

Is	Is not
Visual active-speaker detection via MAR (mouth-aspect-ratio) variance	Audio-visual fusion (audio energy + lip motion cross-correlated)
Stable face tracking across frames by center-distance matching	Re-identification across long gaps / occlusions
Speaker-aligned segments with hysteresis to prevent flicker	Frame-by-frame switching on every flicker
--face-pick speaker (default) — pick whoever's mouth is moving	--face-pick largest (opt-in legacy) — pick largest face
Hard cuts between segments, fixed crop within each segment (--motion cut, default)	Smooth panning that drifts during a speaker's turn (opt-in --motion smooth)
Audio stream-copy (bit-exact)	Audio reprocessing / re-encoding
MediaPipe Tasks FaceLandmarker (478-pt mesh) at 5 fps sampled via ffmpeg	Per-frame neural inpainting / out-painting
One ffmpeg crop + scale pass	Frame-by-frame Python compositor

Falls back to "largest face" automatically when no one is talking (silence, music-only stretches).

Dependencies

pip install mediapipe opencv-python numpy

(MediaPipe lives outside the standard Python distribution; ffmpeg and ffprobe must be on PATH.)

First-run model download: MediaPipe 0.10+ uses the Tasks API, which needs a face_landmarker.task model file (~4 MB). On the first call, crop.py downloads it to ~/.claude/skills/wjs-reframing-video/models/ and caches it for subsequent runs. The script fails offline on first run.

Range limitation: The bundled landmarker is tuned for faces within ~2 m of the camera (selfie / podcast / interview distance). Wide event shots with small faces may not detect — sample a frame first to confirm.

Crop math

Source aspect = W / H. Target aspect = H / W (inverted). Compute crop window:

Source orientation	Crop window
Horizontal (W > H) → Portrait	W_crop = H × H / W, H_crop = H (narrow vertical band)
Portrait (W < H) → Horizontal	W_crop = W, H_crop = W × W / H (narrow horizontal band)

For 1920×1080 → portrait, W_crop = 608, H_crop = 1080. Final scale to 1080×1920 (upscale ~1.78×). For 1080×1920 → landscape, W_crop = 1080, H_crop = 608. Final scale to 1920×1080.

Override the final size via --output-size 1080x1920 if you want native crop dimensions instead of upscaling.

Pipeline

1. Probe input dimensions, fps, duration via ffprobe.
2. Decide orientation — auto from aspect (--target portrait|landscape to override).
3. Sample frames at --sample-fps (default 5; high enough to catch mouth motion — Nyquist for speech is ~10 Hz, we need at least 4–5 fps).
4. Detect face landmarks per sampled frame with MediaPipe Tasks FaceLandmarker (478 landmarks). For each detected face record: center, size proxy, MAR (mouth-aspect-ratio = inner-lip vertical distance / horizontal mouth-corner distance).
5. Track faces across frames by center-distance matching → each face gets a stable face_id.
6. Per-sample active speaker: for each face track, variance of MAR over a sliding window (--mar-var-window-sec, default 1 s). The face with the highest variance is "speaking". Below --mar-var-threshold, no one is speaking → fall back to largest face.
7. Hysteresis: a candidate switch only commits if the new speaker is stable for --min-segment-sec (default 1.5 s). Shorter flickers are squashed — prevents the crop from ping-ponging on a one-frame mis-detection.
8. Speaker-aligned segments → for each segment, mean (cx, cy) of that speaker's face over the segment becomes the crop center, fixed for the full duration of the segment.
9. Build a ffmpeg step-function expression (--motion cut, default) that holds each segment's crop position constant and jumps instantly at each segment boundary — the visual feel of a real cut between camera angles. (--motion smooth switches to piecewise-linear pan between segment midpoints; rarely the right call for talking-head content because the camera appears to drift mid-sentence.)
10. Render one ffmpeg pass — crop=W:H:x='expr':y='expr', scale=OUT_W:OUT_H. The crop filter evaluates x and y per frame natively. Audio stream-copied.

scripts/crop.py is the implementation. Output side effects:

• <input>.crop.json — sidecar with the crop plan
• <input>_cropped.mp4 — final cropped + scaled video

Sidecar schema (<input>.crop.json)

{
  "_about": "wjs-reframing-video crop plan for cam_a.MOV. Active-speaker detected via MAR variance.",
  "_help": {
    "source_size":     "[width, height] in pixels.",
    "target_size":     "[width, height] of the final rendered output.",
    "crop_window":     "[width, height] of the moving crop in source coords.",
    "chunks":          "Speaker-aligned segments: {t0, t1, cx, cy, speaker_id}.",
    "face_pick_mode":  "speaker = MAR-variance active-speaker; largest = old behavior.",
    "speaker_id":      "Stable face track id. null means no face / silence fallback."
  },
  "schema_version": 2,
  "source": "cam_a.MOV",
  "source_size": [1920, 1080],
  "target": "portrait"
    
    
   
   
   
   
   
   
               
              
             
  
   
   

Performance

• Detection is the slow step. On Apple Silicon at 2 fps sampling, expect ~10–20× realtime (a 30-min source detects in ~1–2 min). Bumping --sample-fps makes detection slower but tracking more responsive.
• Render is fast — single ffmpeg pass with hardware encode (hevc_videotoolbox on macOS). Often <1× realtime for a 1080p source.
• For very long sources (>200 chunks), the ffmpeg expression gets cumbersome; the script auto-downsamples chunk midpoints to keep the expression under ~200 control points.

Common pitfalls

• Mouth gestures aren't speech — a yawn, laugh, eating, or sucking-in-air all raise MAR variance. The detector can briefly mistake these for talking. For high-stakes content, eyeball the speaker timeline in the sidecar (the script prints a face#N: Xs on screen (Y%) summary) and re-run with a different --mar-var-threshold if needed.
• Side-profile or down-tilted faces — when a face is rotated >60° from camera, MediaPipe may fail to land mouth landmarks reliably, so MAR variance flatlines. The speaker fallback to "largest face" kicks in. If you have a long stretch of profile shots, consider --face-pick largest.
• Two faces with overlapping speech (interruption / talking over) — both faces have MAR variance, only one wins. The losing face is treated as listener. For accurate per-speaker tracking under crosstalk, use wjs-editing-multicam with separate cams.
• Long stretches of silence (B-roll, music) — falls back to largest face. If the largest face is wrong (e.g. a listener stays still while the speaker's mic feeds music), you'll see drift. Pre-segment around music-only sections.
• Source has burned-in lower-thirds / subtitles — for H→V, the lower band gets cropped out; for V→H, it stays but gets stretched. Strip burn-ins before running.
• Wide-angle / fish-eye lenses — landmarks miss faces near edges. Pre-correct distortion with ffmpeg lenscorrection first.
• Upscaling artifacts — 608×1080 → 1080×1920 is a 1.78× upscale and visible on sharp text. Render at native crop dims (--output-size 608x1080) and let the platform upscale, if you have overlays you want to keep sharp.
• Output bitrate > platform limit — default is --bitrate 12M. WeChat Channels (视频号) caps at 10 Mbps; pass --bitrate 8M for that target.

Zero-detection fallback: deterministic fixed crop

The "may not detect" range limit isn't just a warning — when MediaPipe detects 0 faces (far/static two-person interview, ~2 m+ from a wide lens), the crop log reads 0 face observations across N sampled frames and the script center-crops the frame — which on an interview set lands the window on the background between the two people (a fireplace, a plant, a logo), not on anyone. The output looks broken and no --mar-var-threshold tuning helps, because there are no landmarks at all.

Always read the crop log before trusting the output. If it says 0 face track(s) identified / (no face / fallback): … 100%, abandon the MediaPipe crop and do a deterministic fixed crop instead. The camera on these shoots is static and the speakers sit at fixed screen positions, so a hand-set X offset is rock-solid:

# 1920×1080 → 9:16 ⇒ crop window 608×1080. X = speaker's screen position:
#   left speaker  → x=0      right speaker → x=1920-608=1312      centred → x=656
# Do crop + (HLG→SDR tone-map) + 30fps + dense keyframes in ONE pass so the
# body clip is final and HyperFrames can seek it (see /wjs-overlaying-video).
ZF=~/Library/Python/3.9/.../imageio_ffmpeg/binaries/ffmpeg-macos-aarch64-v7.1
"$ZF" -i clip.mp4 -vf \
  "crop=608:1080:0:0,zscale=t=linear:npl=203,format=gbrpf32le,\
tonemap=tonemap=hable:desat=0,\
zscale=w=1080:h=1920:t=bt709:m=bt709:p=bt709:r=tv,format=yuv420p,fps=30" \
  -c:v libx264 -crf 19 -preset medium -g 30 -keyint_min 30 \
  -color_primaries bt709 -color_trc bt709 -colorspace bt709 \
  -c:a aac -b:a 192k -movflags +faststart clip_vert.mp4

Verify by extracting a frame (-ss 20 -frames:v 1) and confirming the speaker is centred before committing. For clips that genuinely need to follow both speakers (heavy back-and-forth), hand-label per-speaker windows from the transcript and concatenate fixed crops; for a clip that is one person's monologue, a single fixed X is enough. Drop the tonemap filters if the source is already SDR (bt709) — applying the HLG recipe to SDR mis-colors it.