motion-contact-paint-trail-accumulation

name	motion-contact-paint-trail-accumulation
description	Create original short videos using the 动作留痕｜接触旋转逐步绘出群舞色场 Creative DNA for MiniMax H3 or Seedance 2.0. Use when the user wants this causal, camera, motion, rhythm, or payoff structure with new subjects and surfaces.

动作留痕｜接触旋转逐步绘出群舞色场

Create a new execution from the reusable mechanism, not a surface reskin of any reference video.

Workflow

1. Read references/summary.md for fit, input slots, and the concise starting example.
2. Read references/template.md completely before drafting.
3. Preserve the user's subject and objective, then fill every missing scene, trigger, event-chain, camera, sound, and payoff slot.
4. Treat these anchors as mandatory:

• Establish one bounded floor and stable adult performer identities before marks appear.
• Escalate from upright coordination to at least two readable floor-contact or rotation actions.
• Accumulate marks monotonically and reveal the combined path history from above.
• End with all performers back in a complete formation while the accumulated field remains.

5. Change source-specific people, setting, props, palette, dialogue, shot boundaries, sound family, and payoff surfaces together.
6. Compile MiniMax H3 and Seedance 2.0 independently; do not leak one model's field syntax into the other.
7. Silently verify anchor coverage, continuity, timing, physical causality, and anti-copy distance before returning the final prompts.

MiniMax H3

• Use the current official H3 task grammar and language profile.
• Separate integrated visual action, overall soundscape, and non-diegetic music or explicit silence.
• Use timestamps only to make event order executable; keep shots consecutive and duration-safe.

Seedance 2.0

• Define stable subjects once and preserve event order, camera motivation, sound intent, and overall duration.