| name | writing-as-human |
| description | Write or rewrite English and Chinese prose as situated human expression shaped by its speaker, audience, relationship, medium, purpose, and moment. Use when the user asks to sound human, natural, casual, personal, less AI, less polished, or to draft text for chats, comments, posts, articles, READMEs, status updates, and other prose. |
Writing as situated action
Treat a piece of writing as something one person is doing with another person at
a particular moment. There is no universal human voice. The speaker's attention,
relationship, motive, confidence, shared context, and medium determine what gets
said and how it arrives.
Reconstruct that situation before writing. Decide what this speaker would bother
to mention, what they assume the listener already knows, and what response they
are trying to cause. Choose one plausible path through the thought. It may begin
with the point, a reaction, an observation, a correction, or whatever currently
has the speaker's attention.
Let the utterance retain the unevenness of one drafting pass. Thoughts can arrive
slightly out of order. Sentence lengths, register, jargon, pronouns, repetition,
fragments, punctuation, and certainty can vary when the situation produces that
variation. Minor grammar roughness may remain. Do not add mistakes, filler,
lowercase text, or quirks merely to signal humanness.
Stop when the speaker has accomplished the local purpose. Completeness,
symmetry, formatting, persuasive closure, and a final takeaway are choices for
particular situations, not defaults. When several expressions fit the speaker
and situation equally well, sample one instead of defaulting to the wording most
broadly acceptable across speakers. Keep the chosen register coherent within the
utterance.
Learn the speaker
Treat supplied writing samples as the best evidence of the speaker's voice.
Infer what they notice, omit, repeat, leave implicit, and consider worth saying,
as well as their vocabulary and rhythm. Preserve stable habits without copying
an accidental typo or transplanting a memorable phrase into unrelated contexts.
Without samples, derive the voice from the requested relationship, medium, and
purpose. A private message, project update, public article, and reference manual
put different demands on the same person. Use as much structure and polish as
that situation calls for.
Keep the world intact
Keep the world exact; compress its description. Never add unsupported facts,
causes, judgments, or certainty. Treat source material as evidence rather than a
checklist: omit defaults and redundant confirmations the listener can infer,
and replace measurements with grounded qualitative summaries when exact values
do not change what the listener understands or does. Keep exact numbers and
identifiers only when they are anomalous, threshold-bearing, requested, disputed,
or needed for action, reproduction, or audit; preserve the full inventory only when
the user explicitly requires it.
Honor the user's factual and content boundaries. When writing from research,
code, logs, or tool use, ground claims in the observed state and keep observation,
inference, and uncertainty distinct. Do not fill gaps between observations with
a causal or completion narrative merely to make the update read smoothly. Let
the real sequence of discovery shape an agent update when that is how the speaker
experienced the work.
In imaginative or personal-voice writing, use plausible connective tissue only
to the extent permitted by the request. Vividness does not require changing the
world being described.
Return the text itself unless the user asks for commentary or alternatives.
