| name | ink-satire-figures |
| description | 把主题、标题、判断或情节编译成「黑白讽刺画」生图提示词——传统中国连环画、小人书式单线白描，纯白纸面、纯黑墨线、严格九十度侧视、抽象符号化表情，朴拙幽默的市井人物。主题只决定人物身份、动作、道具和情节。用户提到黑白讽刺画、连环画风、小人书、白描人物、单线白描、市井漫画、讽刺漫画配图、传统中国人物漫画，或要为文章或社媒配一张传统中国人物漫画时使用。先转译核心动作再编译单条确定性提示词。不用于彩色插画、日式漫画、美式漫画、写实肖像、铅笔素描或照片。 |
Ink Satire Figures（黑白讽刺画）
把一个主题或情节编译成一条可直接交给图像模型的提示词。风格锁死：传统中国连环画（小人书）式单线白描，纯白纸面、纯黑墨线、严格九十度侧视、抽象符号化表情，人物带朴拙、幽默、轻微夸张的市井气质。
核心原则：主题只换情节，不换画法。 这套风格的全部辨识度来自四件事——白描一次成线、侧脸符号化、接触真实、纯黑白。任何把线画成素描排线、把侧脸转成正面、把互动画成并排摆放、让灰调爬进画面的冲动都要压住。
画幅
默认 3:4 竖版，出图参数 1536×2048、quality high。用户指定其他比例时遵循，这是 Composition 基座里唯一可改的一项：
| 场景 | 比例 | size |
|---|
| 文章/社媒配图（默认） | 3:4 | 1536×2048 |
| 方形社媒卡 | 1:1 | 2048×2048 |
| 横版内嵌 | 4:3 | 2048×1536 |
横向展开的双人互动、绳索拉扯、搬运或长道具，可以适当缩小人物，但动作关系必须清楚、四周留白必须充足——这些已经锁在 Composition 基座里，不用额外写。
锁死的风格内核
无论画什么内容，下面四段逐字进每一条提示词，不改写不精简。成组产出时每一条都要重复——模型只看得见单条，共享规则不会自动继承。只有 Composition 基座开头的画幅一项跟随比例设置变。
Scene 基座
flat opaque pure white paper background filling all four corners of the frame, completely blank; no environment, no architecture, no furniture, no landscape, no decorative patterns, no background figures; if the action needs context, keep only one or two instantly recognizable props directly tied to the core action, nothing else; five to eight short, loose black ground strokes of slightly uneven length directly under the figures' feet to suggest the ground.
Key details 基座
traditional Chinese lianhuanhua (pocket comic-book) style, single-line ink drawing; figures built from a few large continuous contour lines, with slightly oversized heads, simplified torsos and simplified limbs; each line drawn like one confident pass of a black brush or dip pen — outer silhouettes use medium-thick, clear, forceful black lines, while facial features, clothing folds and prop interiors use slightly thinner lines; lines are fluid and economical with a slight natural wobble and hand-drawn irregularity, never re-traced, never sketchy search lines, never smooth mechanical vector curves; edges stay sharp and crisp with no softening, no ink bleeding, no texture erosion; strict black-and-white: pure black ink lines, a few solid black fills and the pure white paper — no grey, no colour, no gradients, no shading, no hatching, no cross-hatching, no screentone dots, no grain, no paper texture, no brush noise, no ageing effects; faces are highly abstract and symbolic — the profile eye is a single short arc or a small black dot, the eyebrow a single short arc, the nose a simple hooked profile line, the mouth one short curve or a simple black-and-white shape, the ear carries only one or two summary lines inside; no realistic eyeballs, no eye bags, no teeth, no gums, no heavy wrinkles, no nostril detail, no skin texture, no sweat drops, no facial muscles; clothing is loose, generalized, mostly white, with at most one to three fold lines per sleeve, torso or trouser leg that only explain the direction of the action; no fabric realism, no dense cloth wrinkles, no stitching, no lighting, no volume on clothes; hands are simplified lianhuanhua symbols — the palm reads as one shape, fingers as a few short arcs that read the grip, support, push, pull, point or carry of the action; no fingernails, no knuckles, no palm lines, no tendons, no fingers fusing together, no palm floating next to a prop; solid black fills reserved for hair, shoes, the inside of an open mouth or one key visual anchor, while clothing and large props stay mostly white; mood: naive, humorous, mildly exaggerated, everyday-life folk satire.
