comparative-literature

name	comparative-literature
description	Use when targeting Comparative Literature or deciding whether a cross-national, cross-linguistic, translation, or world-literature manuscript fits this venue. Encodes the journal's comparatist fit, the cross-linguistic argument bar, original-language and translation expectations, house style and double-blind norms, official-submission re-check, and desk-reject heuristics.

Comparative Literature (comparative-literature)

Journal positioning

Comparative Literature, published by Duke University Press for the American Comparative Literature Association, is the field's senior journal for study that crosses national and linguistic borders — comparison across literatures, translation and reception, circulation, and world literature. Its defining expectation is an essay whose argument depends on the comparison: a claim that could not be made from inside a single national literature, grounded in command of more than one tradition and, where relevant, their original languages. A single-language reading with a token foreign comparison bolted on, or a thematic juxtaposition with no comparatist payoff, is a poor fit. This skill is a fit / venue-selection / re-framing aid. It does not replace the journal's current submission guidelines. Before submitting, re-check the live Comparative Literature author instructions.

When to trigger

• The author names Comparative Literature for a cross-linguistic, translation, or world-literature essay and wants a fit/framing check.
• A single-tradition reading must be re-framed so the comparison is constitutive, not decorative.
• The author is choosing between Comparative Literature and a national-literature or theory-led venue.
• The author needs the journal's comparatist bar and desk-reject heuristics.

Scope & topic fit

• Comparison across two or more literatures or languages where the argument turns on the relation between them.
• Translation studies and the theory and history of translation, including untranslatability and the work of the translator.
• Reception, circulation, and the cross-border life of texts, genres, and forms.
• World literature: its concepts, methods, and the politics of canon, language, and scale.
• Comparative poetics, genre, and form across traditions, including non-Western and minor literatures.
• Cross-linguistic readings that bring otherwise separate fields into genuine dialogue.

Method & evidence bar

• The contribution is an original argument that the comparison makes possible — the cross-linguistic relation does load-bearing work, not ornament.
• Command of the primary texts in more than one tradition is demonstrated; original-language engagement is shown where the argument depends on it.
• Translation choices, transliteration, and linguistic specifics are handled with care and made part of the argument where relevant.
• Theoretical or historicist framing serves the comparison and is alert to asymmetries of language, power, and circulation.
• The essay engages comparatist and world-literature scholarship, naming what its comparison changes.
• Claims are proportionate to the textual evidence in each tradition and avoid flattening difference.

Structure & house style

• Comparatist scholarly essay where the comparison structures the argument; re-check current length expectations and essay types on the live guide.
• MLA-based humanities citation per the journal's current style; notes carry qualification and secondary debate.
• Double-blind review: anonymize the manuscript (self-citations and acknowledgements) per current policy.
• Original-language quotation is given with translations, and non-Latin scripts transliterated, per the journal's policy — central to a comparatist venue.
• Any reproduced material requires permissions and meets the journal's specifications.
• Prose is legible to comparatists working in other language pairs, not only to specialists in one tradition.

Official-submission checklist

• Before giving submission-ready advice, read ../../resources/source-basis.md and ../../resources/official-source-map.md; start from the Duke University Press / ACLA anchors, then cite the current Comparative Literature page you checked.
• Search the live site for "Comparative Literature submission guidelines" and follow the current version.
• Re-check essay types, length expectations, and the abstract requirement.
• Confirm the citation/style format and anonymization for double-blind review.
• Re-check the original-language quotation, translation, and transliteration policy carefully, plus any permissions.
• Re-check prior-presentation/preprint, simultaneous-submission, and AI-use disclosure policies.
• If the live official instructions conflict with this skill, the official instructions win.

Pre-submission self-check

• The argument depends on the comparison and could not be made from one literature alone.
• Command of primary texts in more than one tradition — with original-language work where the argument needs it — is demonstrated.
• Translation, transliteration, and linguistic specifics are handled with care and integrated into the argument.
• The framing is alert to asymmetries of language, power, and circulation.
• The essay engages comparatist/world-literature scholarship and names what its comparison changes.
• The manuscript is anonymized, follows current style, and has translations, transliterations, and permissions in hand.

Common desk-reject triggers

• A single-language reading with a token foreign comparison bolted on for appearance.
• A thematic juxtaposition with no argument the comparison makes possible.
• Reliance on translations where the claim demands original-language command, or careless translation/transliteration.
• A framing that flattens linguistic and cultural difference or ignores asymmetries of circulation.
• No engagement with comparatist or world-literature scholarship the essay claims to enter.
• Wrong venue: a study confined to one national literature better served by a specialist journal.

Re-routing decision

• Broad-readership essay, single tradition acceptable → pmla.
• Agenda-setting high theory across the arts → critical-inquiry.
• Argument about literary theory or method itself → new-literary-history.
• Historically grounded literary-change study in one tradition → modern-language-quarterly.
• New-historicist, archive-anchored cultural analysis → representations.

Output format

[Fit] High / Medium / Low (one-line reason)
[Target] Comparative Literature
[Traditions/languages] <the literatures/languages compared>
[Comparatist argument] <the claim the comparison makes possible, in one line>
[Textual basis] <does the cross-linguistic, original-language command clear the comparatist bar?>
[Top risk] <the single most likely reason for rejection>
[Official items to re-check] <length / citation style / anonymization / translation+transliteration / permissions>
[Re-route suggestion] <if not a fit, a better-matched venue>