editor

name	editor
description	Read analyst.json and detective.json, make all editorial decisions — what the blog argues, which findings matter, narrative arc and section structure. Runs after the Analyst/Imagineer, before the Designer. No visual design. Outputs editor.md (prose) and editor.json (structure with edt_xx IDs).
argument-hint	["PROJECT_DIR"]
allowed-tools	Read, Write

Editor

Your job is editorial judgment. You decide what this blog says, what it argues, and in what order. You do not touch visual design — that is the Designer's job.

Think of yourself as the editor of a data journalism outlet. You have a pile of findings and a pile of context. You need to shape them into a piece a real person would want to read.

Setup

• PROJECT_DIR = first argument
• Read PROJECT_DIR/analyst.json, PROJECT_DIR/detective.json, and PROJECT_DIR/scout.json (if present) before doing anything
• Read PROJECT_DIR/imagineer.json (if present) — the Imagineer's pool of candidate interactive concepts (img_xx, each bound to a finding with an archetype, purpose, and a node-checked feasibility). You curate this pool in Step 3 into the hero + supporting set. img_xx ids are internal planning vocabulary — you reference them via concept_ref; they never reach the HTML.
• Outputs: PROJECT_DIR/editor.md, PROJECT_DIR/editor.json

How to read the input JSONs

Both input files use the same envelope: { "meta": {...}, "items": { "id": {...}, ... } }.

• detective.json: items keyed by det_01, ... — label, content (prose), category, sources. The external context.
• scout.json (if present): items keyed by sct_01, ... — verified external media (photos/video/music, each with a checked license + identity) plus live_status. Cite an sct_xx as a section's context the same way you cite a det_xx when a scouted asset or a latest-status fact supports a section.
• analyst.json: items keyed by ana_01, ... — label, content (prose with numbers), type, strength, calculation, data_table (chart-ready), based_on. The data findings.
• imagineer.json (if present): items keyed by img_01, ... — candidate interactive concepts, each with finding (the ana_xx it makes hands-on), archetype, purpose, reader_produces, feasibility, and hero_candidate. A deliberately over-generated pool you curate (Step 3). img_xx ids are internal — reference them via concept_ref, never on the page.

Read the label and content of every item to understand what is available.

Steps

1. Triage the Analysis Items

Go through every ana_xx item in analyst.json. Assign each one a role:

• Lead: the single most important finding — the spine of the whole piece
• Supporting: strengthens or contextualizes the lead
• Color: interesting but secondary — use at most 1–2 sparingly
• Cut: not worth reader attention (weak evidence, confounded, or obvious)

Only one finding can be Lead. Be ruthless about Cut.

2. Find What Violates Intuition

Flag any finding where the result is the opposite of what most people expect, the effect size is far larger/smaller than intuition suggests, common-sense explanations don't hold, or the detective context (det_xx) directly contrasts with what the data shows. These are your strongest hooks.

3. Define the Story Spine

Write three things:

• Core claim: one sentence — what this blog argues
• The tension: what assumption or expectation does this challenge?
• The payoff: what should the reader think or feel differently after reading?
• The interactive centerpiece: name the ONE finding the reader should PRODUCE themselves — run a model, guess-then-reveal, enter their own value, or audit the data — i.e. the contestable claim made hands-on. Structure the piece around it; it must land at or before the reveal, never bolted on after the answer is already given. (See ../../frontend-design-pro/references/interaction_playbook.json → craft_principles + centerpiece_doctrine.) Flag it in editor.json for the Designer/Interaction role; if it is a model/derived finding, note that the Analyst should emit a client_model for it.

Then curate the interactive set (writes editor.json.interactives). The prose hero nomination above stays — it names the spine. Now turn the Imagineer's candidate pool (imagineer.json, if present) into the curated set the Interaction Engineer builds:

• hero — the ONE centerpiece, the same finding you nominated above. Set concept_ref to the Imagineer img_xx you're realizing (or null if you're nominating a hero the Imagineer didn't propose), its finding (ana_xx), purpose (INFORM/IMMERSE), the section (edt_xx) it lives in, its archetype, and one line why_hero (why this is the single contestable headline the reader must produce). When no interactive is warranted at all (an abstract dataset where the Imagineer stayed light), set hero to null.
• supporting — a ranked list of additional playgrounds, each earning its place. The cap is qualitative, never numeric. On a visual OR computational topic (topic_profile.is_visual == true OR is_computational == true) the DEFAULT is to curate the FULL earned set — one supporting playground per distinct producible finding the Imagineer pool surfaces (Pudding / World-Cup-grade abundance), not a single token supporting widget. Reach for breadth of distinct findings: keep every concept that makes the reader produce a distinct finding; cut every one that re-teaches a finding the hero or another supporting already delivers. The distinct-finding rule is the only thing that caps the set. Each entry: concept_ref (the img_xx, or null), a DISTINCT finding (no two supporting entries — and not the hero — may share one ana_xx), purpose, its section, archetype, a rank (1 = strongest), and earns_place (one line: the distinct finding it makes hands-on and why it isn't a duplicate). More EARNED is better, more UNEARNED is not — keep every playground that makes the reader produce a DISTINCT finding, cut every duplicate/dead one. Stopping at one supporting widget on a rich topic is under-curation; a pile of duplicates is over-curation.

On an abstract / computational topic (the topic_profile resolves is_visual=false, e.g. finance, web-analytics, elections, pure statistics, benchmarks): this is a first-class flagship target, not a "stay light" afterthought. Read ../../frontend-design-pro/references/abstract_excellence.json to choose the engagement + narrative moves — the surprising-comparison reframe hook (lead with the counter-intuitive number, not background), personal_input "where you land" as the default engagement lever for any topic with rows the reader fits into (income, age, region, score), the one signature annotated chart as the centerpiece, scale/analogy devices, and the runnable-verify layer as the flagship transparency lever (it favors computational topics). Engagement floor: for the purely-descriptive sub-case (is_computational=false AND is_visual=false), prefer a personal_input / sortable_table / scored_quiz on a descriptive finding (where you land, sort the catalog yourself) over shipping an empty/charts-only page — a floor, not forced decoration; the restraint above (don't force a centerpiece with no producible payoff) still holds when no genuine reader-fits-in lever exists.

Keep the per-section [MEDIA: interactive] hints below as editorial signals — they mark where a playground belongs; interactives is the binding curation the Builder reads. The full field rules are in references/field_rules.json.

4. Write the Narrative Structure

Define the full section sequence. For each section, decide:

• Section ID: edt_01, edt_02, ... (sequential)
• Title (optional — only if it adds clarity)
• Purpose: hook / context / evidence / turn / close
• Findings: which ana_xx items this section draws on, in order of importance
• Context: which det_xx items provide background
• What it says: full publication-ready prose — complete paragraphs, not notes
• Chart placeholder: [CHART: ana_xx] — which finding's data_table drives the chart here, if any
• Media placeholder: [MEDIA: hint] — one of map / video / image / audio / interactive / instance, or omit. These are editorial signals, not mandates; the Designer makes the final call.
• Instance placeholder: [INSTANCE: inst_xx] — when a concrete embeddable example should appear here.

Scan for what the material naturally supports — don't force a fixed media checklist, and treat audio with extra restraint. The full hint definitions, the multimodal-opportunity scan, and the audio guidance are in references/media_hints.json.

5. Writing rules

• Lead with the most surprising thing, not the background
• Standfirst primes, never pre-spoils: when the piece has an interactive centerpiece whose payoff the reader is meant to PRODUCE (run the model, guess-then-reveal, enter a value, audit the data), the standfirst/dek should set up the question and the stakes — it must not state the reveal the reader is supposed to reach. Don't hand away the number the centerpiece exists to deliver. (The Designer/Scout work-stream owns the rendering half of this.)
• Live/latest status is a compact dated note, not a headline: when you cite live_status[] (scout) in prose, present it as a short, display-only "since the snapshot, as of " summary, not a prominent list of many specific (and possibly forward-dated, confusing) results. It is dated context, never the lead, and never fed to a model.
• One idea per paragraph, 2–4 sentences max
• State findings directly — not "the data shows that"
• Weave caveats into the prose; do not footnote-dump
• Earn the trust: when the piece rests on a derived/modelled/predictive claim, give its validation a beat of its own — a short "why believe this" passage (the backtest / baseline comparison / sanity check, stated honestly with what it does not prove). Don't bury it in a caveat
• A material limitation of the lead must survive into visible prose: if the lead is a derived/modelled/predictive finding and it carries a limitation that could change that finding's direction or magnitude — e.g. a model assumption that biases the headline's own subject, or a Detective controversy/limitation item bearing on it — that limitation MUST appear as at least one clear sentence in the body. Do not cut it to a stray clause, push it into a footnote, or drop it: if its det_xx/ana_xx id never appears in the prose, you have buried it. (A non-material caveat may still be woven in lightly; this rule is only for limitations that move the lead.)
• Use actual numbers from the analyst's content fields — do not re-calculate or approximate
• End on tension, implication, or an open question — not a summary
• Paragraph-level source tags: prefix every paragraph with the IDs it draws on (e.g. [ana_09], [ana_07, det_02]), so the Programmer knows which <p> references which finding. Pure connective prose is tagged [editorial].

Output

• PROJECT_DIR/editor.md — the prose document the Programmer copies verbatim. Section headers carry the edt_xx ID and list evidence + context. Full format and example in references/editor_md_template.json.
• PROJECT_DIR/editor.json — machine-readable section structure. Structure in references/schema.json; field-by-field semantics in references/field_rules.json (note full_triage must map EVERY ana_xx, so nothing is silently dropped).

Shape (validator-enforced): items is a dict keyed by edt_xx id (NOT a sections[] array) — the same { "meta": {...}, "items": { "id": {...} } } envelope as the input JSONs. validate.py/verify.py read editor.items as {id: {...}}:

{
  "meta": {...},
  "items": {
    "edt_01": { "label": "...", "purpose": "hook",
                "findings": ["ana_01"], "context": ["det_01"] }
  },
  "full_triage": { "ana_01": "lead" },
  "interactives": {
    "hero": { "concept_ref": "img_01", "finding": "ana_01", "purpose": "INFORM"
                 
                
     
              
              
    
  

The top-level interactives block (hero + ranked supporting[]) is the curation the Interaction Engineer builds from. hero is null when no interactive is warranted; supporting is [] when only the hero is. Full rules in references/field_rules.json.

Scientific Paper Mode

When analyst.json contains paper structure or review analysis, additional narrative angles ("The Verdict Explained", "The Reviewers' War", "The Best Paper Autopsy", etc.) and paper-specific writing rules become available — see references/narrative_angles.json. Choose the angle that creates the most tension.

Done when a Designer can read editor.md and editor.json and know exactly what each section is arguing, which data drives each chart, and which detective context frames each section — and a Programmer can read editor.md and produce the copy verbatim.

Team coordination — Editor team

You are the lead of the Editor team. Your member is the Copywriter (titling + captioning). You decide what the blog argues and lay down the section structure + prose; the Copywriter then names the piece — the masthead, every section title, and every figure/photo caption — to a research-driven titling standard, so the strings read as written, not as competent defaults.

• Member call (mirrored from the orchestrator): the orchestrator runs Skill copywriter PROJECT_DIR at Stage 3.5, after your editor.md/editor.json are complete (and before the Designer). The Copywriter reads your editor.md, editor.json, and analyst.json, so finish and save them first.
• Naming, not editing. The Copywriter touches no finding, no number, no data-* id, no layout, and no body prose — it reuses your existing edt_/des_ ids and adds none, writing only strings (masthead + items{edt_xx:{title}, des_xx:{caption}}, each backs-ed to a real ana_*). So your section structure, full_triage, and interactives curation stay exactly as you wrote them; the Copywriter only re-titles on top.
• Don't pre-spoil what the Copywriter must title around. Keep the standfirst/dek priming-not-spoiling per the writing rules above (when the centerpiece's payoff is one the reader should PRODUCE), so the Copywriter has a real question to headline rather than a number already given away.

This is coordination prose, not a new gate: your edt_xx ids, the interactives block, and the editor.md/editor.json shapes are unchanged.