novoads-image-to-motion

name

novoads-image-to-motion

description

Turn any still image into a professional motion graphic through the Novoads API on Seedance 2.5. Covers how to read a reference image, motion vocabulary for any image type — UI, marketing hero, flat-lay, key art, collage, product, character — the prompt clauses that control camera, timing, frozen regions and text fidelity, and the upload mechanics. Use whenever the user supplies an image and wants it animated, moving, or turned into video — including "animate this", "turn this into a motion graphic", "make this move", "この画像動かして", "モーショングラフィックにして", "I want the cards to pop in", "I want the bars to slide up", or when they describe motion beats for a static image. Also use when asked to write a Seedance prompt for an existing image. Do NOT use for text-to-video with no source image, restyling existing footage (this API takes no video input), cloning a reference video (use clone-video-ad), or a product photo that should seed a new scene rather than move as-is (use novoads-api).

Image → Motion Graphic

Any still can become a professional motion graphic. The work is direction, not damage control: decide what moves, in what order, and say it precisely enough that there is nothing left to interpret.

Vague prompts produce vague motion. Specific prompts produce the shot you pictured. That is the whole discipline.

Before anything: this runs on a Novoads account

• Base URL: https://api.novoads.ai/v1 (host overridable with NOVOADS_BASE_URL — host only, you append /v1).
• Auth: Authorization: Bearer $NOVOADS_API_KEY, read from .env at the repo root. The key is novo_ plus 64 hex.
• Check: ./scripts/check-novoads-env.sh; if the key is missing, run ./scripts/setup.sh.
• Never print API keys, commit .env, or paste a key into MASTER_CONTEXT.md.

REST key required. A Novoads MCP connector is not a substitute. If NOVOADS_API_KEY is missing or still the placeholder, stop before any generation work and tell the user: "Before continuing, create an API key at https://novoads.ai/dashboard/settings?tab=api and paste it into .env." That holds even when mcp__novoads__* tools are connected and authenticated in the session. Never call mcp__novoads__* tools from this repo's workflows: they are a different surface with different behavior, including the units they quote costs in. Repo installs verify with ./scripts/check-novoads-env.sh; a solo install checks NOVOADS_API_KEY in the environment.

No account yet? https://novoads.ai/?utm_source=claude-code&utm_medium=github&utm_campaign=skill-pack The entry offer is a $1 trial. Never call it free.

Every HTTP mechanic here belongs to the pack, not to this skill. Auth, strict bodies, status codes, the poll loop, concurrency and error envelopes are written out once in novoads-api/SKILL.md and its reference.md. This file carries the craft and the two or three fields this genre needs.

The cost gate. Before the first render, price the exact configuration and wait for a yes. prompt is required on the estimate — the body is strict and omitting it is a 400, which would leave you improvising past the one guard rail between the user and a charge. Send the prompt you are about to render:

{"kind":"video","model":"seedance-2.5","durationSeconds":8,"resolution":"720p","prompt":"<the full prompt>"}

The estimate is free. There are no rates in this file on purpose: a written price rots silently and a quote that disagrees with the invoice is worse than no quote. N takes is N charges — say the multiplication out loud before it happens.

It does not see everything the render sees. aspectRatio, startImageAssetId and referenceAssetIds are not on the estimate body, so a clean quote is not proof the generation body is valid: the two-modes 400 below is invisible here and moderation runs only at generation. A clean estimate prices the call, it does not bless it.

The pack's other spending gate, the one where a spoken line is approved on its own, does not apply here: nothing speaks. That is one gate fewer, not permission to skip the cost gate.

The estimate's warnings are UGC rules. One response, and it is not "comply".

POST /v1/estimates returns an advisory warnings array. It never refuses a call and never changes a price. Its rules were written for talking-head UGC with an actor in frame, and they match on substrings, so on a motion graphic they fire and fall silent for reasons that have nothing to do with whether the shot is any good.

missing_actor_descriptor is the one to understand. Read literally it asks you to put a person in the frame. Never do that. An agent that "fixes" it by inserting "a woman in her 20s in a grey zip hoodie" into a dashboard animation has destroyed the render to satisfy a linter. Say you are overriding it and why.

Do not read anything into whether it appears. Its check is a bag of actor words that also contains a two-digits-then-s pattern, put there to catch "a woman in her 20s" — so a beat list timed 0.15s apart, or one that mentions a 10s mark, satisfies it by accident and the warning vanishes. Measured both ways, 2026-08-10. Its absence is not a verdict on your prompt and its presence is not a defect to fix.

banned_polish from a quoted string is the other unfixable one, and it is common. The rule matches perfect, flawless, cinematic, 4k, masterpiece and friends, and its remedy is "delete the word and describe the real thing". That remedy is impossible when the word arrived inside a string you transcribed off the reference: deleting it re-letters the render, which is the one thing this skill exists to prevent. Check where the hit came from before you touch anything — if it is inside quotes, override it and say so. Measured on a real pricing page 2026-08-10, where the single warning traced to a card subtitle reading "Perfect for scaling your AI video ads". Marketing copy is full of these words, so expect it.

This file states no warning count, deliberately. Three earlier drafts each asserted one and each was wrong, because the count moves with incidental digits in the beat timings and with words the craft itself recommends (cinematic in the key-art class trips a polish rule; then in a beat sequence trips a chained-motion rule; a dash-prefixed beat list trips a formatting rule). Read what comes back, judge each one against the prompt in front of you, and say which ones you are overriding. That instruction stays true as the rules change; a number does not.

Step 1: Read the image

Look at it properly before writing anything. Record:

• Dimensions and ratio. If the requested output ratio differs from the source, the layout gets rebuilt rather than cropped — say so, and describe the new arrangement in the prompt rather than hoping for it.
• Photographic or illustrated. State this explicitly in the prompt. Omitting it is the most common way a painted reference comes back photoreal, or vice versa.
• Light direction and quality. Hard raking light and soft ambient light imply completely different motion. Long shadows moving is a beat; flat light has nothing to reveal.
• Layer depth. What sits in front of what. This is where parallax and staggered entrances come from.
• Every legible string, transcribed verbatim. You will quote these back in the prompt.
• The accent structure. Most strong reference images run on one saturated accent against a restrained field. Whatever draws the eye is what should move last, or move most.

Step 2: Choose the motion

Match the vocabulary to what the image is. This is genre craft — a flat-lay wants different motion from a character render, and reaching for the wrong grammar is what makes AI motion look generic.

UI, app screens, toolbars, widgets, dashboards Panels slide or scale into place and settle. Cursors travel along an arc and click. Press states compress and spring back; hover states lift and deepen their shadow. Tooltips, menus and toasts appear on the interaction that triggers them. Toggles flip, progress fills, counters and badges land. Decide whether screen contents scroll or hold — either is available, but choose deliberately and say which.

Marketing hero — headline, device, floating cards Headline rises and fades in as a block. Device and hand slide in from the frame edge with a slight overshoot and settle. Floating cards pop from slightly under full scale with a bouncy overshoot, staggered rather than together. Progress arcs draw their stroke. Then a gentle out-of-phase idle float so the frame never feels frozen. If figures should count up, say so explicitly; if they should hold, say that instead.

Flat-lay, evidence board, desk scene Items drop in and settle with their shadows catching up a beat late. String, thread and connecting lines draw along their path. Papers can lift and flutter at the corner. A slow light sweep across the surface reads beautifully and costs nothing. Magnifiers and lenses can glide.

Painted key art, illustrated scene, game art The most permissive class. Parallax between depth layers, drifting dust and light shafts, water and cloth movement, slow reveals, ambient particle motion. A slow push-in or drift works here when you want cinematic rather than graphic.

Collage, paper-cut, halftone Assemble-from-empty: elements fly, snap or hinge into place in sequence with slight rotation overshoot. Suits stepped, stop-motion timing rather than smooth easing. Textures can breathe.

Product still, object, packaging Slow turntable rotation, light sweep across the surface, lid lift, pour, unfold, exploded-view separation, hero reveal from shadow.

Character, mascot, avatar Idle breathing, blink, head turn, expression shift, hair and cloth secondary motion, a gesture into a hold.

Across all of them: stagger paired elements. Two things entering simultaneously read as one flat sheet; a fifth of a second apart reads as two independent objects with their own weight. That single choice does more for perceived production value than any other.

Step 3: Write the prompt

Structure the shot as timed beats. Include every clause below — each one removes a decision the model would otherwise make for you.

[Shot type] of [subject]. [If nothing should speak, which is the norm here:
"A silent motion graphic with no spoken dialogue."]

CAMERA: [either "The camera is locked off and never moves: no pan, no tilt, no
zoom, no push-in, no orbit, no drift." — or the specific move you want, with its
speed and direction.] Lighting is [constant / describe the change].

The reference image is the exact composed state — every colour, shadow, layout
position and glyph matches it precisely.

TEXT: all text stays perfectly intact and pixel-identical to the reference image
at every frame — [quote every string individually]. Same font, same weight, same
size, same position, correctly spelled. Text is never redrawn or re-lettered; it
travels rigidly with the object it sits on.

[If any region should not animate:]
[REGION] holds completely still: no scrolling, no swiping, no changing content.

TIMED BEATS:
0.0s — [the opening state, including anything that is ABSENT]
[t–t]s — [one object, one motion, with easing]
...
[final]s — Everything holds. [Any permitted idle drift.] No fade out.

[Negatives:] No film grain, no vignette, no lens flare, no added elements,
no watermark, no extra text.

[Close on the ratio, in words, matching the aspectRatio you send:]
Vertical 9:16. — or Square 1:1. — or Horizontal 16:9. — or Classic 4:3. etc.

Two of those lines are additions rather than craft, and both come from the pack's own Seedance doctrine (novoads-api/SKILL.md, the audioEnabled section): keep the silence sentence as well as the flag, because the prose is what stops the model staging a talking shot in the first place while the flag governs the audio track. And state the ratio in words even though you also send aspectRatio, because the model will infer a shape from the prompt when the prompt implies one. Neither is a reliable way to quiet the linter — a correctly stated 4:3 still draws no_aspect_ratio, measured — so add them for the render, not for the warnings array.

The prompt ceiling on this model is 4,000 characters, which a full beat list fits comfortably. Compose long prompts in a file under prompts/ rather than passing them as a shell argument.

Five clauses that carry most of the weight:

Say the text should be perfectly intact, and quote every string. This is the single highest-value line in the prompt. Asking for it explicitly works far better than leaving it implied, and naming each string individually works better than a general instruction.

State the opening frame including what is absent. If a tooltip, badge or card is visible in the reference and you want it to appear partway through, the prompt must say it is not there at 0.0s. Otherwise it is present from frame one and the reveal never happens. This is logic, not model behaviour — it applies no matter how capable the model is.

Declare anything that holds still. A region that should not move needs saying so. Silence is not an instruction.

End with an explicit hold. Without a final beat pinning the last state, models tend to invent a drift, a fade or a camera move to fill the remaining time.

One object per beat, with easing named. "The cards pop in" is three possible shots. "Each card scales up from slightly under full size with a soft bouncy overshoot, 0.2s apart" is one.

Step 4: Run it

POST /v1/videos with "model": "seedance-2.5", and the still in startImageAssetId, which animates it as the literal first frame. Always send model explicitly. This skill's whole grid below is 2.5's; the API's own default when the field is omitted is seedance-2.0, which has a different duration grid and a different schedule, so an omitted field renders a model the cost gate did not price.

• durationSeconds — an integer from the grid, which on this model runs 4 to 30. Match it to the beat list; leave a beat of hold at the end. Out-of-grid values are rejected, never rounded. Most motion graphics live at the short end, and the schedule is per-second, so price the duration you actually need rather than the one the grid allows. Never rank it against other models from memory: which cell is dearest depends on the provider this deployment routes to, and the estimate is the only thing that knows.
• aspectRatio — 16:9 (default), 9:16, 1:1, 4:3, 3:4, 21:9.
• resolution — 480p or 720p. 720p is this model's ceiling, not a floor: 1080p and 4k belong to seedance-2.0 and are a 400 here.
• audioEnabled — false unless sound is wanted.
• Four takes gives useful choice. There is no variations-per-call field, so that is four submissions of the identical payload, and four charges — which is why it belongs inside the cost gate rather than after it. At most five generations may be in flight per organization; a sixth comes back 429 with details.reason: concurrency_limit, which means wait for a slot rather than lengthen the backoff.

Submit returns 202 with jobId and creditsCharged. The poll payload does not carry the charge, so log it from the 202 while you have it — a line written without it cannot be completed later. Poll GET /v1/generations/{jobId} every 15 seconds until a terminal status, then GET /v1/generations/{jobId}/watch for the file into outputs/<descriptive-name>/. Nothing here has measured a seedance-2.5 wait: say it is unknown rather than lending it seedance-2.0's range. Full sequence in novoads-api/SKILL.md.

If the still needs building or rebuilding first, generate it before animating. A crisp, correctly-composed, correctly-lettered source frame is the foundation of the whole shot — the video stage carries forward what it is handed. Both chatgpt-image-ad (gpt-image-2) and nano-banana-image-ad (nano-banana-pro) are available, and the decision tree between them is in OVERVIEW.md; when it matters, run the same prompt through both and compare rather than assuming. POST /v1/images is synchronous, and the assetId it returns goes straight into startImageAssetId with no download-and-re-upload hop.

This API takes no video input. There is no restyle of existing footage and no multi-turn edit: omni-flash here is one stateless call, not the conversational editor its vendor documentation describes. If the ask is to restyle a clip, say so and stop. A timed multi-scene switch is different and is still reachable — it needs no video input, only a prompt that describes each scene and when it changes. omni-flash is the model for it, and its guide is gemini-omni-flash. Its grid is not the one above: 20,000-character prompt ceiling, durationSeconds 4/6/8/10 only, aspectRatio 9:16 (default) or 16:9 and nothing else, no referenceAssetIds and no audioEnabled — the variant omits both fields and the body is strict, so sending either is a 400. Read its grid before you carry any field across.

Uploading the still

POST /v1/uploads  {"contentType":"image/png","sizeBytes":<exact bytes>}  → 201
  { assetId, uploadUrl, method, headers, expiresInSeconds: 900, maxBytes }
PUT the raw bytes to uploadUrl with the returned headers, byte for byte  → 200
pass assetId as startImageAssetId

Two things worth knowing before they cost a call:

• Content-Type and Content-Length are both signed into the URL. If either differs from what was returned, storage rejects the PUT with a 403 that looks like an auth failure and is not one. Measure the file, do not estimate it.
• The assetId is durable and reusable without limit — it is the storage key itself. Upload the image once and reuse it across every iteration and every model. The 900-second expiry belongs to the upload URL, not to the asset. That distinction is the one most likely to be conflated, and re-uploading between takes is wasted work.

startImageAssetId and referenceAssetIds are separate modes and cannot be combined — a body with both is a 400 naming exactly that, before any charge. Start frame animates one image; references composite several into a new scene. This skill is the start-frame mode, so it sends exactly one image.

For the record, because vendor tutorials quote wildly different numbers: reference images cap at 9 on seedance-2.5 here, and the larger figures floating around belong to the raw providers underneath rather than to this API. Read it off referenceAssetIds's maxItems in the live openapi.json rather than from any file, this one included. It is stated only so a tutorial's 30 or 50 does not look authoritative — a job that wants that mode is not this skill, and it routes to novoads-api.

Step 5: Review and iterate

Generate several, pick, then refine the prompt rather than rerunning it unchanged. Look at:

• Did the beats fire in order, or collapse into one simultaneous move? If collapsed, spread the timings further apart and shorten each one.
• Is the camera doing what you asked? Unrequested drift usually means the camera clause was too short — expand it into the explicit no-pan-no-zoom-no-push list.
• Read every quoted string at full size. Check the small labels, not just the headline.
• Did anything hold still that should have moved, or move that should have held? Both are prompt clarity problems, not model problems.
• Shadow and light consistency, especially in flat-lay and product work where one light direction is the only depth cue.

When something is off, add specificity rather than emphasis. Naming the object, the distance, the direction and the easing beats restating the same instruction more forcefully. If a beat keeps coming out wrong, describe it as a rigid transform of a named object — that is almost always clearer than describing the effect you want.

Hard rules

1. Price it live before every render, from POST /v1/estimates in this session, and send prompt — it is required, and a body without it is a 400. No rate lives in this file.
2. N takes is N charges, said out loud before the first one fires.
3. 720p is the ceiling on this model. Do not offer or submit higher.
4. Never send startImageAssetId and referenceAssetIds together. Separate modes.
5. Upload once. The asset is durable; the URL is what expires.
6. The 0.0s beat names what is absent, or the reveal cannot happen.
7. Quote every string individually in the TEXT clause, and read every one back at full size in QA.
8. Text fidelity on our render path is unverified. Write the clause because it is what the model responds to. Do not tell a user it has been verified here until eval E6 has been run. See evals.md.
9. Never add an actor to satisfy missing_actor_descriptor. Override it out loud, and read nothing into whether it appeared — its check is keyed on substrings a beat list trips by accident.
10. Working files go in outputs/<name>/ and long prompts in prompts/. Never invent a new top-level directory.