ffmpeg-ops

name	ffmpeg-ops
description	Comprehensive ffmpeg/ffprobe media processing: transcode, cut/trim/concat, color grading, loudness normalization, subtitles, GIFs, HLS packaging, hardware encoding, and quality gates (VMAF). Triggers on: ffmpeg, ffprobe, transcode, compress/convert video, extract audio, color grade, hls.
license	MIT
compatibility	ffmpeg 5.0+ (6.0+ recommended). Scripts: bash + python3.10+. Optional per task: libvmaf, libass, libzimg, libvidstab.
allowed-tools	Read Write Edit Bash Glob Grep
metadata	{"author":"claude-mods","related-skills":"color-ops, debug-ops"}

ffmpeg Operations

Operational expertise for ffmpeg/ffprobe: the ~30 commands that cover most real work, the footguns that silently ruin output, EDL-driven editing (edit-as-code), and eight scripts that replace the logic an agent would otherwise re-derive every task.

Doctrine: probe first

Never transcode, cut, or filter blind. Every media task starts by probing the input — codec, duration, frame rate (constant or variable?), pixel format, rotation, stream layout. Half of all "ffmpeg did something weird" reports are a property of the input the command never checked.

python skills/ffmpeg-ops/scripts/probe-media.py input.mp4            # human summary
python skills/ffmpeg-ops/scripts/probe-media.py --doctor input.mp4   # TRIAGE: hazards + exact fixes
python skills/ffmpeg-ops/scripts/probe-media.py --json input.mp4 | jq '.data.streams'
python skills/ffmpeg-ops/scripts/probe-media.py --keyframes-near 92.5 input.mp4

--doctor makes the doctrine self-enforcing: VFR, HDR transfer, rotation metadata, interlacing, non-yuv420p delivery, and moov-at-EOF each come back as a finding with the exact fix command, and exit 10 means "fix before processing". The --keyframes-near form answers "can I stream-copy a cut at 92.5s?" — it reports the nearest keyframes so you know whether a copy cut will snap (see Footguns). When a command fails with a cryptic message, decode it: references/error-decoder.md.

Before recommending an encoder, verify the build has it. Installed ffmpeg builds vary wildly (especially hardware encoders — listed ≠ working):

bash skills/ffmpeg-ops/scripts/capability-scan.sh           # full: proof-encodes each hw encoder
bash skills/ffmpeg-ops/scripts/capability-scan.sh --quick   # list-only, no GPU touch

Cookbook

Commands are bash-form; they run unchanged in PowerShell except where the Windows notes say otherwise. Replace -y/-n (overwrite/never) consciously — never leave an agent-run command interactive.

Convert and compress

# Web-compatible H.264 — THE default delivery encode. yuv420p + faststart are not
# optional: without them Safari/QuickTime/old devices show black video, and the
# moov atom sits at EOF so browsers can't start playback until fully downloaded.
ffmpeg -i in.mov -c:v libx264 -crf 20 -preset slow -pix_fmt yuv420p \
  -c:a aac -b:a 192k -movflags +faststart out.mp4

# H.265/HEVC — ~40% smaller at same quality, slower encode, less universal playback.
# -tag:v hvc1 is required for Apple players to recognize the stream.
ffmpeg -i in.mp4 -c:v libx265 -crf 24 -preset slow -tag:v hvc1 \
  -c:a copy -movflags +faststart out.mp4

# AV1 via SVT-AV1 (libaom is 10-50x slower; only use it for research-grade encodes).
# preset 0-13: lower = slower/better; 6 is the quality/speed sweet spot.
ffmpeg -i in.mp4 -c:v libsvtav1 -crf 32 -preset 6 -c:a libopus -b:a 128k out.webm

# Remux only — change container, zero quality loss, near-instant. Try this FIRST
# when the ask is "make this .mkv play in X": often the codecs are fine.
ffmpeg -i in.mkv -c copy -movflags +faststart out.mp4

# Normalize a problem source (HEVC/VFR phone footage, Zoom/Loom exports) before ANY
# downstream editing. VFR breaks cut math, concat sync, and Remotion/player seeking.
ffmpeg -i in.mov -c:v libx264 -crf 18 -preset fast -pix_fmt yuv420p \
  -fps_mode cfr -r 30 -c:a aac -b:a 192k normalized.mp4

# Archival master — FFV1 lossless in MKV (the preservation standard).
ffmpeg -i in.mp4 -c:v ffv1 -level 3 -g 1 -slicecrc 1 -c:a flac archive.mkv

# "Make it fit in 25MB" — computed two-pass bitrate, auto audio/downscale, VERIFIED:
python skills/ffmpeg-ops/scripts/smart-compress.py --target 25MB video.mp4

Codec choice, CRF/preset matrices, two-pass bitrate targeting, per-platform social targets: references/encoding.md + assets/encoding-presets.json.

Cut and join

# Fast lossless trim (stream copy). -ss/-to BEFORE -i = input seek, absolute times.
# CAVEAT: with -c copy the start snaps to the previous keyframe — can be seconds
# early, or give frozen/black lead-in. Check first with probe-media.py --keyframes-near.
ffmpeg -ss 00:01:30 -to 00:02:00 -i in.mp4 -c copy -avoid_negative_ts make_zero cut.mp4

# Frame-accurate trim (re-encode). Input-side -ss IS frame-accurate when re-encoding
# (ffmpeg decodes from the prior keyframe and discards) — fast AND exact. The old
# "put -ss after -i for accuracy" advice costs a full decode from 0:00 for nothing.
ffmpeg -ss 00:01:30 -to 00:02:00 -i in.mp4 -c:v libx264 -crf 18 -c:a aac cut.mp4

# Join files with IDENTICAL codec/params — concat demuxer, no re-encode.
printf "file '%s'\n" seg1.mp4 seg2.mp4 seg3.mp4 > concat.txt
ffmpeg -f concat -safe 0 -i concat.txt -c copy joined.mp4

# Join files with DIFFERENT codecs/sizes — concat filter, re-encodes.
ffmpeg -i a.mp4 -i b.mov -filter_complex \
  "[0:v][0:a][1:v][1:a]concat=n=2:v=1:a=1[v][a]" \
  -map "[v]" -map "[a]" -c:v libx264 -crf 20 -c:a aac joined.mp4

# Remove a middle segment (keep 0-60s and 120s-end): cut both keeps, then concat.
# For multi-cut edits, write an EDL and use cut-from-edl.py instead (see EDL workflow).

-ss semantics in full, keyframe theory, concat ×3 (demuxer/filter/protocol), edit-decision-list editing: references/trim-concat.md and references/edit-as-code.md.

Resize, transform, retime

# Resize to width, keep aspect. ALWAYS -2 (not -1): yuv420p needs even dimensions.
ffmpeg -i in.mp4 -vf "scale=1280:-2" -c:a copy out.mp4

# Crop (w:h:x:y from top-left); cropdetect finds black bars for you:
ffmpeg -i in.mp4 -vf cropdetect -frames:v 120 -f null - 2>&1 | rg crop=
ffmpeg -i in.mp4 -vf "crop=1920:800:0:140" -c:a copy out.mp4

# Vertical 9:16 from landscape — blurred-pad pattern (social standard):
ffmpeg -i in.mp4 -filter_complex \
  "[0:v]scale=1080:1920:force_original_aspect_ratio=increase,crop=1080:1920,boxblur=20[bg];
   [0:v]scale=1080:-2[fg];[bg][fg]overlay=(W-w)/2:(H-h)/2" -c:a copy vertical.mp4

# Rotate: fix metadata only (instant) vs bake pixels (re-encode).
ffmpeg -display_rotation 90 -i in.mp4 -c copy out.mp4        # metadata flip (ffmpeg 6+)
ffmpeg -i in.mp4 -vf "transpose=1" -c:a copy out.mp4         # transpose=1: 90° clockwise

# Frame-rate change (drops/dups frames; for smooth slow-mo see minterpolate below)
ffmpeg -i in.mp4 -vf "fps=30" -c:a copy out.mp4

# 2x speed-up: video PTS halved + audio atempo (atempo accepts 0.5-100; chain
# atempo=0.5,atempo=0.5 for 0.25x). -map ordering keeps streams paired.
ffmpeg -i in.mp4 -filter_complex \
  "[0:v]setpts=0.5*PTS[v];[0:a]atempo=2.0[a]" -map "[v]" -map "[a]" fast.mp4

# Interpolated slow-mo (synthesizes in-between frames — slow but smooth):
ffmpeg -i in.mp4 -vf "minterpolate=fps=60:mi_mode=mci:mc_mode=aobmc,setpts=2*PTS" -an slow.mp4

# Timelapse from photos (and the reverse: video -> frames, under Images below)
ffmpeg -framerate 24 -pattern_type glob -i 'photos/*.jpg' \
  -c:v libx264 -crf 20 -pix_fmt yuv420p timelapse.mp4

Filtergraph syntax (labels, chains, split), speed ramps, full filter cookbook: references/filtergraph.md.

Overlay, text, subtitles

# Watermark bottom-right with 24px margin (W/H = video, w/h = overlay dims):
ffmpeg -i in.mp4 -i logo.png -filter_complex \
  "overlay=W-w-24:H-h-24:format=auto" -c:a copy out.mp4

# Burn a running timecode (note %{pts\:hms} — the colon must be escaped INSIDE
# the drawtext argument; see Windows notes for fontfile paths):
ffmpeg -i in.mp4 -vf \
  "drawtext=text='%{pts\:hms}':fontsize=48:fontcolor=white:box=1:boxcolor=black@0.5:x=24:y=24" \
  -c:a copy out.mp4

# Burn-in subtitles (hard subs; needs libass). Pragmatic path rule: cd to the
# subtitle's directory and use a bare relative filename — the filter's path
# escaping is the single worst quoting trap in ffmpeg, especially on Windows.
ffmpeg -i in.mp4 -vf "subtitles=subs.srt" -c:a copy burned.mp4

# Soft subtitles (toggleable, instant — no re-encode):
ffmpeg -i in.mp4 -i subs.srt -map 0 -map 1 -c copy -c:s mov_text soft.mp4   # mp4
ffmpeg -i in.mkv -i subs.srt -map 0 -map 1 -c copy -c:s srt soft.mkv        # mkv

Styling (ASS force_style), extraction, format conversion, STT round-trip: references/subtitles.md.

Audio

# Extract audio without re-encoding (copy the stream as-is; pick the container
# matching the codec — probe first: aac->.m4a, opus->.opus/.ogg, mp3->.mp3):
ffmpeg -i in.mp4 -vn -c:a copy out.m4a

# Extract + transcode to Opus (best codec per bit: voice 24-32k mono, music 96-128k):
ffmpeg -i in.mp4 -vn -c:a libopus -b:a 128k out.opus

# Replace a video's audio track (keep video untouched):
ffmpeg -i video.mp4 -i music.m4a -map 0:v -map 1:a -c:v copy -c:a aac -shortest out.mp4

# Mix two audio inputs (normalize=0 stops amix halving the volume of each input):
ffmpeg -i voice.wav -i music.mp3 -filter_complex \
  "[1:a]volume=0.25[m];[0:a][m]amix=inputs=2:duration=first:normalize=0[a]" \
  -map "[a]" -c:a aac mixed.m4a

# Loudness-normalize, one-pass (quick; DYNAMIC mode — fine for drafts).
# Two-pass linear mode is measurably better: use loudnorm-scan.py (Scripts below).
# loudnorm internally upsamples to 192kHz — the -ar 48000 puts it back.
ffmpeg -i in.mp4 -af "loudnorm=I=-16:TP=-1.5:LRA=11" -ar 48000 -c:v copy out.mp4

# Trim leading/trailing silence:
ffmpeg -i in.wav -af \
  "silenceremove=start_periods=1:start_threshold=-40dB:detection=peak,areverse,silenceremove=start_periods=1:start_threshold=-40dB:detection=peak,areverse" \
  trimmed.wav

Targets: -14 LUFS streaming platforms, -16 podcasts, -23 EBU R128 broadcast. Channel mapping, multi-track, restoration filters: references/audio.md.

Speech-to-text prep (Whisper-family)

# THE canonical STT extraction — 16 kHz mono 16-bit PCM (what whisper.cpp /
# faster-whisper actually resample to; doing it here is faster and deterministic):
ffmpeg -i in.mp4 -vn -ac 1 -ar 16000 -c:a pcm_s16le stt.wav

# Pipe raw PCM straight to whisper.cpp — no temp file:
ffmpeg -v error -i in.mp4 -vn -ac 1 -ar 16000 -f s16le - | whisper-cli -m model.bin -f - 

# Chunk long audio ON SILENCE BOUNDARIES (never mid-word) for parallel transcription:
python skills/ffmpeg-ops/scripts/detect-segments.py --silence --json in.mp4 \
  | jq '.data.speech[]'

Pre-STT cleanup (when afftdn/highpass help vs hurt accuracy), WhisperX word-level alignment (±50 ms), transcript JSON shape, the summarisation pipeline: references/stt-whisper.md.

Images, GIFs, frames

# Thumbnail at a timestamp (input-side -ss: instant even at 2h offsets):
ffmpeg -ss 00:00:05 -i in.mp4 -frames:v 1 -q:v 2 thumb.jpg

# Contact sheet: 1 frame every 10s, tiled 4x3 (visual summary / scrub preview):
ffmpeg -i in.mp4 -vf "fps=1/10,scale=320:-2,tile=4x3" -frames:v 1 sheet.png

# High-quality GIF — palettegen/paletteuse is THE difference between a 256-color
# dithered mess and a clean GIF. Single pass via split:
ffmpeg -ss 5 -to 8 -i in.mp4 -filter_complex \
  "fps=12,scale=480:-1:flags=lanczos,split[s0][s1];[s0]palettegen=max_colors=128[p];[s1][p]paletteuse=dither=bayer:bayer_scale=4" \
  out.gif

# Embedded chapters from scene/silence detection (or YouTube description text):
python skills/ffmpeg-ops/scripts/make-chapters.py --from-scenes --media talk.mp4 \
  --min-gap 30 --write chaptered.mp4
python skills/ffmpeg-ops/scripts/make-chapters.py --from-silence --media lecture.mp4 \
  --format youtube

# Frames for ML datasets — fixed fps, model-square crop:
ffmpeg -i in.mp4 -vf "fps=1,scale=512:512:force_original_aspect_ratio=increase,crop=512:512" \
  frames/%06d.png

# Image sequence -> video:
ffmpeg -framerate 24 -i frames/%06d.png -c:v libx264 -crf 18 -pix_fmt yuv420p out.mp4

# Player scrub-preview sprites + the WebVTT thumbnail track that maps them:
python skills/ffmpeg-ops/scripts/make-sprites.py --interval 5 video.mp4

Sprite sheets for web players, AVIF/WebP stills, dataset prep patterns: references/images-gif.md.

Diagnostics and validation

# Corruption / decode-error check (exit code is NOT the signal — the log is):
ffmpeg -v error -i in.mp4 -f null - 2> errors.log && [ ! -s errors.log ] && echo CLEAN

# Per-frame hashes — prove two pipelines produce identical frames:
ffmpeg -i in.mp4 -map 0:v -f framemd5 - 

# Strip ALL metadata (GPS, device info — privacy before sharing phone video).
# -map_metadata -1 keeps rotation side-data; verify orientation after.
ffmpeg -i in.mp4 -map_metadata -1 -c copy clean.mp4

# Quick probes (machine-readable; prefer probe-media.py for the full picture):
ffprobe -v error -show_entries format=duration -of default=nw=1:nk=1 in.mp4
ffprobe -v error -select_streams v:0 -show_entries stream=codec_name,width,height,r_frame_rate -of csv=p=0 in.mp4

Safe re-encode of untrusted uploads, scene-change detection, integrity in CI: references/analysis-validation.md.

yt-dlp interop

yt-dlp embeds ffmpeg for merge/remux; these are the post-download patterns:

# Prefer h264+m4a at download time (avoids a transcode entirely):
yt-dlp -S "res:1080,vcodec:h264,acodec:m4a" --remux-video mp4 URL

# Clip a section AT download (server-side range requests; much faster than full DL):
yt-dlp --download-sections "*10:00-12:30" -S "res:1080,vcodec:h264" URL

# Audio-only for STT/summarisation:
yt-dlp -x --audio-format opus URL

# Already downloaded a VP9/AV1 .webm that needs to be H.264 .mp4: that is a normal
# transcode — use the web-compatible H.264 recipe above, NOT --recode-video.

Generative/test sources

# Synthetic video+audio — fixtures, pipeline tests, alignment checks (no real media
# needed; this is how tests/run.sh builds its fixtures):
ffmpeg -f lavfi -i testsrc2=duration=2:size=640x360:rate=30 \
       -f lavfi -i "sine=frequency=440:duration=2" \
       -c:v libx264 -pix_fmt yuv420p -c:a aac fixture.mp4

Audio-reactive visuals (showwaves/showspectrum), podcast audiograms: references/visualization.md.

Footguns

The table that pays this skill's rent. Each row is a class of silent failure.

Footgun	The trap	The rule
-ss + -c copy	Cut starts seconds early or with frozen/black lead-in (snapped to prior keyframe)	Copy cuts snap. Check probe-media.py --keyframes-near; re-encode when exact
Output-side -to after input-side -ss	Timestamps reset at the seek point, so -to silently becomes a duration	Keep -ss/-to on the same side of -i (both input-side is fast and absolute)
Missing -pix_fmt yuv420p	Encode "works" but Safari/QuickTime/TVs show black or refuse to play (defaulted to yuv444p/yuv422p from a high-quality source)	Always set it for delivery H.264/H.265
Missing -movflags +faststart	Browser can't start playback until the whole file downloads (moov at EOF)	Always set it for web-served MP4
Default stream selection	ffmpeg picks ONE stream per type (highest-res video, most-channels audio) — extra audio tracks and all subs are silently dropped	-map 0 to keep everything, explicit -map otherwise
-vf + -c:v copy together	Hard error — filters require decoding	Filtering implies re-encode; pick one
VFR source (phone/Zoom/Loom/screen-rec)	Cut math drifts, concat desyncs, players stutter	Normalize first: -fps_mode cfr -r 30 + re-encode (cookbook)
-vsync (deprecated)	Old flag, removed direction	Use -fps_mode (cfr/vfr/passthrough)
scale=W:-1	Odd height → encoder error with yuv420p	Always -2
concat demuxer on mismatched inputs	"Works" then glitches/desyncs at boundaries (codec/timebase mismatch)	Demuxer = identical params only; else concat filter with re-encode
amix default	Each input's volume halved (normalize defaults on)	amix=...:normalize=0 + explicit

Windows notes

Platform-agnostic commands, but when running on Windows:

• PowerShell quoting is friendlier than bash here: single quotes are fully literal, so -vf 'scale=1280:-2,fps=30' needs no escaping. Double quotes only interpolate $ and backtick — filtergraphs rarely contain either.
• NUL not /dev/null for two-pass logs: -passlogfile defaults are fine, but ffmpeg ... -f null NUL (PowerShell also accepts -f null -, which is portable — prefer it).
• Font paths in drawtext: fontfile='C\:/Windows/Fonts/arial.ttf' — forward slashes, escaped drive colon, inside the filter string.
• Prefer -f null - and relative paths to sidestep both quoting tables at once.

Decision trees

Codec — H.264 (libx264): default; universal playback, fast, good per-bit at -crf 18..23. → H.265 (libx265): same quality ~40% smaller; slower; needs -tag:v hvc1 for Apple; fine for storage/modern devices. → AV1 (libsvtav1): best compression, royalty-free, web-first (YouTube/Netflix path); encode cost highest; playback on older hardware is software-only. → VP9: only when a pipeline demands webm and AV1 is unavailable. → FFV1: archival masters only.

Cut method — Need exact frames OR applying any filter → re-encode (input-side -ss, -crf 18). Cut points happen to sit on keyframes (verify with --keyframes-near) OR a ±2s slop is acceptable → stream copy with -avoid_negative_ts make_zero. Many cuts from one source → EDL workflow below.

CPU vs hardware encode — Hardware (NVENC/QSV/AMF/VideoToolbox) is 5-20× faster but worse quality per bit than libx264/x265 at slow presets. Use hardware for: speed-critical batch work, live/streaming, drafts, "good enough" deliveries (bump bitrate ~30% to compensate). Use CPU for: final masters, size-constrained targets, quality comparisons. Always capability-scan.sh first — listed encoders fail at runtime on driver mismatches. Details: references/hardware-accel.md.

EDL workflow (edit-as-code)

For any multi-cut edit, do not fire ad-hoc trim commands. Write an edit decision list — a JSON file naming every clip, time range, and why — then cut from it. The edit becomes reviewable (rationale is written down), rerunnable (regenerate the output any time), and diffable (versions of the edit are git history).

# 1. Find candidate cut points (silence = clean speech boundaries):
python skills/ffmpeg-ops/scripts/detect-segments.py --silence --json take3.mp4

# 2. Author the EDL (schema: assets/edl-schema.json) with per-scene rationale.

# 3. Dry-run prints every ffmpeg command it would run (default — nothing executes):
python skills/ffmpeg-ops/scripts/cut-from-edl.py edit.json

# 4. Execute: cuts + concat -> final. Re-encodes by default for frame accuracy;
#    --copy for keyframe-aligned EDLs.
python skills/ffmpeg-ops/scripts/cut-from-edl.py edit.json --execute -o final.mp4

Rules that make this work (from the Fable launch-video pipeline): cuts must land in silence; the model reasons over transcripts, not frames; after cutting, re-transcribe the output to verify (no filler words survived, no words clipped). Full architecture, EDL schema, verification loop: references/edit-as-code.md.

Color grading

# Apply a .cube LUT (tetrahedral = highest quality interpolation):
ffmpeg -i in.mp4 -vf "lut3d=file=grade.cube:interp=tetrahedral" \
  -c:v libx264 -crf 18 -c:a copy graded.mp4

# Generate a family of grade candidates + an HTML still-chooser:
python skills/ffmpeg-ops/scripts/gen-luts.py --variants all --out-dir work/luts \
  --previews in.mp4

The human picks the grade. Generate variants, render preview stills, present a chooser — never auto-select a look. Grading is a taste call; the agent's job is the lattice math and the apply command. LUT format, log-footage normalization (S-Log3/V-Log → Rec.709), curves/eq safe ranges, checking work with ffmpeg's built-in scopes (waveform/vectorscope): references/color-grading.md. The 25-look recipe catalog — film stocks (Kodachrome, CineStill halation, Technicolor, Eterna), signature grades (Mad Max, Fincher, Matrix, BR2049, Amélie…), era/genre moods, Sin City selective color — every chain build-validated, plus the Hald-CLUT match-any-look workflow and scope-matching ladder: references/look-recipes.md. Pipeline correctness (pix_fmt, HDR→SDR tonemapping, range/matrix tagging): references/color-hdr.md.

Quality gates

# VMAF/SSIM/PSNR verdict on an encode (exit 10 = below threshold -> branch on it):
python skills/ffmpeg-ops/scripts/quality-compare.py reference.mp4 encoded.mp4 \
  --metrics ssim,psnr
python skills/ffmpeg-ops/scripts/quality-compare.py reference.mp4 encoded.mp4 \
  --metrics vmaf --min-vmaf 90 --json | jq '.data.vmaf'

VMAF ≥ 93 at 1080p ≈ visually transparent; 80-93 = noticeable on inspection. Side-by-side visual A/B (hstack), metric interpretation, encode-ladder tuning: references/quality-metrics.md.

Scripts

All eleven follow the Skill Resource Protocol: --help with examples, stdout = data only, --json envelopes (claude-mods.ffmpeg-ops.*/v1), semantic exit codes (0 ok, 2 usage, 3 input missing, 4 invalid input, 5 missing dependency, 7 ffmpeg unavailable, 10 domain finding).

Script	Job	Worked invocation
probe-media.py	Normalized inspection, keyframe proximity, --doctor triage (hazard → fix command, exit 10)	probe-media.py --doctor in.mp4
capability-scan.sh	What can THIS ffmpeg build do (proof-encodes hw encoders; --quick skips)	capability-scan.sh --json | jq '.data.encoders' — exit 10 = a listed encoder failed verification
quality-compare.py	VMAF/SSIM/PSNR gate	quality-compare.py ref.mp4 enc.mp4 --min-vmaf 90 — exit 10 = below threshold
loudnorm-scan.py	Two-pass loudnorm: measures pass 1, emits exact pass-2 filter	loudnorm-scan.py -I -16 in.mp4 --json | jq -r '.data.pass2_filter'
detect-segments.py	Silence/scene boundaries as JSON segments (STT chunking, dead-air cuts, shot splits)	detect-segments.py --scenes --json in.mp4 | jq '.data.segments'
cut-from-edl.py	EDL JSON → validated cuts + concat (dry-run by default)	cut-from-edl.py edit.json --execute -o final.mp4
make-chapters.py	Scene/silence points (or explicit JSON) → embedded chapters / YouTube text / WebVTT	make-chapters.py --from-scenes --media talk.mp4 --write chaptered.mp4
smart-compress.py	Fit a size cap: computed two-pass bitrate, auto audio/downscale, size-verified (exit 10 = still over)	smart-compress.py --target 25MB video.mp4
make-sprites.py	Scrub-preview sprite sheets + WebVTT thumbnail track (#xywh)	make-sprites.py --interval 5 video.mp4
gen-luts.py	Emit .cube grade variants (+ --previews still chooser)	gen-luts.py --variants warm_filmic,punchy --out-dir luts/
verify-commands.sh	Staleness verifier: structural (CI), checks docs against the installed build

References

Load on demand — one concept per file:

Reference	Load when
encoding.md	Choosing codec/CRF/preset, two-pass, social platform targets, archival
hardware-accel.md	NVENC/QSV/AMF/VideoToolbox/VAAPI flags, quality caveats, detection
filtergraph.md	Any -filter_complex, labels/chains/split, speed ramps, xstack
trim-concat.md	Cut accuracy, keyframes, concat selection, segment removal
edit-as-code.md	Multi-cut edits, EDL schema, transcript-driven editing, verify loop
audio.md	Loudness, mixing, channel layout, audio repair
stt-whisper.md	Whisper/WhisperX prep, chunking, transcript JSON, summarisation pipeline
subtitles.md	Burn vs soft, styling, extraction, format conversion
color-grading.md	LUTs, .cube format, log normalization, scopes, grade workflow
look-recipes.md	25-look catalog (film stocks, signature movie grades, era/genre moods), Hald-CLUT extraction, scope-matching
color-hdr.md	pix_fmt, HDR→SDR tonemap, BT.601/709 tagging, 10-bit
quality-metrics.md	VMAF/SSIM interpretation, visual A/B, ladder tuning

Assets: encoding-presets.json (recipe data incl. date-stamped social targets), hls-ladder.json (ABR ladder), edl-schema.json (the cut-from-edl.py contract).

Self-test

bash skills/ffmpeg-ops/tests/run.sh   # offline suite; synthesizes fixtures via lavfi

Structural assertions always run; media round-trips run only when ffmpeg is on PATH (loud skip otherwise — never a silent false-clean).