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This skill should be used when the user asks for camera movement, shot scale, lens feel, framing, one-take direction, dolly, pan, tilt, push-in, handheld, aerial, macro, or camera-transfer guidance for Seedance 2.0.
默认使用会先检查来源的 Prompt；你也可以切换为直接命令，或下载本地副本。
决定是否安装前，请先阅读 SKILL.md，以及 SkillsMP 当前展示的配套文件。
用 Codex 或 Claude 帮你安装 复制这段 Prompt，粘贴到 Codex、Claude 或其他助手里，让它检查 Skill 页面并帮你完成安装。
直接命令不会经过审查 Prompt；运行前请先检查来源。
npx skills add https://github.com/endman100/skill-router-nexus --skill seedance-camera命令会保持在同一行。复制前请横向滚动并检查完整内容。
想先保存到本地？可下载 SkillsMP 当前能够提供的文件。
⚠️ MANDATORY ENTRY POINT — ALWAYS read this file FIRST before: (1) planning any task (plan / blueprint / roadmap / how to implement), (2) reviewing a plan (review / audit / stress-test), (3) executing a task (implement / build / run), (4) verifying completion (done / verify / submit / PR / confirm finished), (5) accessing, querying, or adding any sub-skill. Do NOT load or look up any sub-skill directly. Every agent, every task, and every skill query must route through this file first. | ⚠️ 強制入口 — 以下情境必須先完整讀取本檔再行動：(1) 制定計畫（計畫、規劃、plan、blueprint、怎麼做）；(2) 計畫審查（review、審查、壓力測試）；(3) 執行任務（執行、implement、build）；(4) 驗證完成（驗證、done、verify、確認完成、submit、PR）；(5) 存取、查詢或新增任何 skill。嚴禁直接載入或查詢子 skill、嚴禁繞過本檔。
Create complete stylized 3D animated shorts from a story idea through an ordered production workflow covering project brief, story outline, character and environment cards, standardized shot planning, text or optional pencil storyboards, video-model selection, single-shot generation, assembly, BGM matching, and final review. Use when the user wants an end-to-end narrative animation workflow with strong character consistency, scene continuity, timing, camera, performance, and audio control. Not for single images, simple edits, photorealistic live action, or one standalone clip.
从商业史、管理史、技术史、职业史和制度史中寻找与现实困境同构的成功、失败和反例，提炼带条件的重复机制。用户要求历史类比、经典解法或标准答案时使用。
基于 SOC 职业分类
正在显示 SKILL.md
| name | seedance-camera |
| description | This skill should be used when the user asks for camera movement, shot scale, lens feel, framing, one-take direction, dolly, pan, tilt, push-in, handheld, aerial, macro, or camera-transfer guidance for Seedance 2.0. |
| license | MIT |
| user-invocable | true |
| tags | ["camera","cinematography","seedance-20"] |
| metadata | {"version":"6.6.0","updated":"2026-07-04","parent":"seedance-20","author":"Iamemily2050 (@iamemily2050)","repository":"https://github.com/Emily2040/seedance-2.0","openclaw":{"emoji":"🎬","homepage":"https://github.com/Emily2040/seedance-2.0"}} |
Use one clear camera idea per short clip unless the user asks for a multi-shot sequence. The best camera direction has a start frame, movement, speed, subject relationship, and endpoint. Avoid stacking moves that fight each other, such as drone rise, dolly-in, handheld shake, and orbit in the same five-second shot.
Load [ref:quick-ref] for prompt assembly, [ref:cinematography-shot-language] for professional shot contracts, [ref:directing-engine] to derive the move from the scene's one intention so it reinforces light, performance, and sound instead of competing, and [ref:vocab/zh] or [ref:vocab/ru] when camera wording must be multilingual.
When a user asks about camera, they are really asking where the viewer's body stands and what the viewer is made to feel from there. Camera grammar is empathy mechanics: a push-in is leaning closer, a locked frame is holding your breath. Choose the move that puts the audience where the user's feeling lives.
State: shot scale, angle, movement, speed, subject relationship, and endpoint. A prompt-ready camera phrase should be physically possible and tied to the subject's action.
| Need | Strong phrase | Avoid |
|---|---|---|
| Emotional realization | slow dolly-in from medium close-up to tight close-up as Character A lowers the envelope | dramatic cinematic zoom |
| Product reveal | controlled slider move from silhouette to front three-quarter hero angle, ending on the label | dynamic product camera |
| Scale | low-angle crane up from boots to skyline, ending behind the character's shoulder | epic wide moving shot |
| Instability | subtle handheld shoulder camera, small breathing sway, subject kept centered | shaky chaotic camera everywhere |
| Precision detail | locked macro shot, focus stays on the watch gears while the second hand clicks once | cool close-up details |
Use lens anchors only when they improve direction: 24mm wide lens for spatial energy, 35mm natural street perspective, 50mm portrait compression, 85mm shallow close-up, or macro lens for material detail. Pair lens words with subject distance and motion; do not stack lens numbers as decoration.
Use locked-off shots for lip-sync, product identity, and delicate VFX. Use dolly-in for discovery or realization. Use tracking for travel, pursuit, and product motion. Use orbit only when the subject can remain clear from all sides. Use crane or drone for scale, arrival, or reveal. Use handheld only when realism matters more than precision.
For multi-character scenes, anchor the camera to named tags: camera holds Character A in foreground while Character B crosses behind. For I2V, preserve the image composition unless the user explicitly wants a reframing. For reference video, state whether [Video1] transfers camera movement, action rhythm, or blocking; do not let it transfer identity unless authorized.
For complex camera movement, a video reference often works better than a long verbal stack. Use [Video1] controls camera rhythm only; do not transfer performer, room, logo, or identity.
If the user gives several incompatible moves, choose one primary camera move and put the rest into optional variants. If the shot needs multiple beats, recommend splitting into separate clips or a time-segmented prompt.
When sequence state is present, inherit the observed camera phase, screen direction, current clip scope, continuity locks, exact reference tags, and reserved future beats before choosing a move. A continuation camera phrase must begin from the accepted source frame or observed end state; do not restart a pan, focus pull, or tracking move unless an intentional next shot declares the reset.
Return the selected camera phrase, why it fits the shot, conflicts removed, fragile anchors, endpoint, and a prompt-ready integrated sentence.