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Systematically evaluate completed short stories or novel chapters to identify strengths, weaknesses, and improvement opportunities. Use after drafting to assess whether the piece achieves its narrative goals.
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| name | story-analysis |
| description | Systematically evaluate completed short stories or novel chapters to identify strengths, weaknesses, and improvement opportunities. Use after drafting to assess whether the piece achieves its narrative goals. |
| license | MIT |
| metadata | {"author":"jwynia","version":"1.0","type":"diagnostic","mode":"evaluative","domain":"fiction"} |
Systematically evaluate completed short stories or novel chapters to identify strengths, weaknesses, and improvement opportunities. Use after drafting to assess whether the piece achieves its narrative goals.
| Mode | Use For | Key Focus |
|---|---|---|
| Short Story | Complete standalone pieces | Unity, shattering moment, resolution |
| Chapter | Sections within larger work | Continuity, momentum, arc contribution |
Evaluate:
Questions:
Evaluate:
Questions:
Red Flags:
Evaluate:
Questions:
Red Flags:
Definition: The pivotal point that transforms everything—a moment that cannot be undone.
Must function through one approach:
For Science Fiction:
Questions:
Evaluate:
Questions:
Economy of Detail:
Point of View:
Language and Voice:
Tension Management:
Reader Engagement:
Questions:
Evaluate:
Questions:
Evaluate:
Questions:
Evaluate:
Questions:
Red Flags:
Evaluate:
Track:
| Thread | Status This Chapter |
|---|---|
| Main plot | Advanced / Setup / Resolved |
| Subplot A | Advanced / Setup / Resolved |
| Subplot B | Advanced / Setup / Resolved |
Evaluate:
Questions:
Evaluate:
Evaluate:
Evaluate:
Previous Chapter:
Next Chapter:
Broader Novel:
Pattern: Treating all checklist items as equally important. Flagging every missed item as a problem requiring fix. Why it fails: Not all issues matter equally. A missing shattering moment is critical; a slight POV wobble might be stylistic choice. Checklists identify possibilities, not mandates. Fix: Prioritize by impact. Ask "Does this actually hurt the story?" before recommending changes. Some rules can be broken effectively.
Pattern: Applying one genre's standards to all stories. Evaluating literary fiction by thriller pacing standards, or action stories by literary depth requirements. Why it fails: Genres have different contracts with readers. What's a flaw in one genre is a feature in another. Fix: Identify genre expectations first. Evaluate against what the story is trying to be, not a universal standard.
Pattern: Focusing on micro-issues while missing macro problems. Catching comma splices while the story has no conflict. Why it fails: Sentence-level perfection can't save structural failure. Fixing small things first is procrastination from hard work. Fix: Diagnose at structure level first. Only move to prose-level analysis after structure is sound.
Pattern: Evaluating against published bestsellers or classics. "This isn't as good as [famous work]." Why it fails: Drafts aren't finished works. Different stories serve different purposes. Unfair comparison discourages rather than guides. Fix: Evaluate against the story's own goals. What is this trying to do? Does it succeed at that?
Pattern: Delivering a comprehensive list of all issues without prioritization or encouragement. Why it fails: Overwhelming. Writers shut down when facing 50 problems. No sense of what matters most. Fix: Identify 3-5 highest-impact issues. Note what's working. Create actionable, prioritized guidance.
Inbound:
drafting: After completing draftrevision: As part of revision processOutbound:
revision: For identified issuesscene-sequencing: For pacing problemsdialogue: For conversation issuescharacter-arc: For character problemsComplementary:
flash-fiction: For stories under 1500 wordsprose-style: For sentence-level issuesstory-sense: For diagnosing what's wrong