layout-grid-and-spacing

name	layout-grid-and-spacing
description	Use when a page, screen, slide, or document needs its column scaffold, margins, gutters, spacing rhythm, or alignment system defined. Do not use for hierarchy inside an established grid or for breakpoint behaviour; route those to composition or responsive layout.
metadata	{"portable":true,"category":"03-layout-grid-and-composition","compatible_with":["claude-code","codex"]}

Layout, Grid And Spacing

Acknowledgement: Shared by Peter Bamuhigire, techguypeter.com.

Use When

• About to compose or recompose the layout of any artifact: a web page/landing page, an app or web UI screen, a dashboard, a DOCX/PPTX/PDF report or proposal, or a pitch-deck slide.
• Deciding column structure, gutters, margins, section spacing, and where the reader's eye should land first.
• A layout risks defaulting to the AI mean: an even grid of identical cards, everything centred, the same gap everywhere, and no focal point.
• Reviewing an existing layout that feels "assembled" rather than designed and you need to give it deliberate structure and tension.

Do Not Use When

• The decision is purely which typeface — use 01-typography-and-fonts/font-selection-and-pairing. (Set type, then lay it out here.)
• The decision is purely which colours — use 02-color-brand-and-visual-identity.
• The work is a chart or table's internal design (axes, encodings, data-ink) — use the data-visualisation skill in this same category. This skill governs the page-level grid the chart sits in, not the chart's own marks.
• A binding client/brand grid or template already mandates the structure — follow it and record it, but still apply the optical-alignment and focal-point hygiene below.

Required Inputs

Input	Source	Required evidence
Artefact, dimensions, and delivery format	Approved brief or existing source	Representative page, slide, screen, or viewport bounds
Ranked content inventory	Product owner, author, or content model	Blocks, relationships, and explicit importance order
Type scale and existing tokens	Design system or typography decision	Named scale, spacing token set, or documented provisional values
Binding template or brand constraints	Brand owner or supplied template	Source file, grid specification, and permitted deviations

• Artifact type and output format (web / UI / DOCX / PPTX / PDF / slide).
• The content inventory: what blocks exist, and their relative importance (you cannot build hierarchy without knowing what should dominate).
• The viewport/page range the layout must survive (breakpoints for web/UI; page or slide dimensions for documents).
• The chosen type scale and spacing unit, if already set, from doctrine/references/type-scale-and-spacing.md.

Workflow

1. Pick ONE spacing unit and commit to it. Use a 4pt or 8pt base and express every gap, pad, and margin as a multiple of it (8 · 16 · 24 · 32 · 48 · 64 …). This is the same rhythm rule as doctrine/references/type-scale-and-spacing.md §Spacing rhythm — consistent multiples are what separate "designed" from "assembled." Mixing 13px here and 19px there is a slop tell.

2. Lay a grid, then design against it. Choose a column count appropriate to the medium (12 columns is a flexible web default; documents often read best on a strict 2–3 column or a single wide measure). The grid is scaffolding, in the Müller-Brockmann sense — it exists so you can place elements with intent and, deliberately, break it for emphasis. A grid you never depart from produces the dead, even page; a grid you ignore produces chaos. Hold both.

3. Decide the focal point before placing anything. Every composition needs one element that wins — the largest, the most isolated, or the most off-centre. Name it. If everything is the same size and evenly spaced, there is no focal point and the eye has nowhere to enter: that is the single most common AI-slop layout failure.

4. Build hierarchy from three levers, not one. Combine scale (size jumps, per the type scale's ≥1.25 ratio and real 3×-class hero jumps), space (more whitespace around a thing reads as more important than the thing itself), and alignment (a shared edge groups elements; a broken edge separates them). Vignelli's discipline: a few strong relationships, ruthlessly repeated — not many timid ones.

5. Introduce intentional asymmetry and tension. Centre-everything is the safe, lifeless default. Following the Swiss/International Typographic tradition (Müller-Brockmann, Tschichold's asymmetric typography), shift weight off the centre line: a wide content column beside a narrow margin column, a hero pinned left with air to its right, an image bleeding off one edge. Asymmetry is what makes a layout look authored — a choice a templating tool would not make.

6. Treat whitespace as active material, not leftover. Negative space is a design element you place on purpose — to isolate the focal point, to group and separate, to set pace. Generous, uneven whitespace (tight where things relate, wide where they don't) signals confidence; uniform padding around everything signals a default. Do not "fill" empty space; earn it.

7. Align optically, not just mathematically. Numerically-equal coordinates often wrong: a circle or triangle beside a square must overshoot the box to appear aligned; punctuation, bullets, and icons hang fractionally outside the text edge to look flush; large type needs negative side-bearing trims to sit on a margin. Trust the eye over the measurement (Lupton, ). Where baseline rhythm applies (long-form text/documents), snap leading to the spacing grid so lines across columns share a baseline.

The Anti-Slop Layout Checklist (run every time)

1. One spacing unit (4pt/8pt), every gap a multiple of it — no arbitrary one-off values.
2. A named focal point — one element deliberately wins; the eye has a clear entry.
3. Hierarchy built from scale and space and alignment together, not size alone.
4. At least one intentional asymmetry / off-centre tension — not everything centred.
5. Whitespace placed unevenly and on purpose, not uniform padding everywhere.
6. Optical alignment applied where maths and the eye disagree (overshoot, hanging punctuation).
7. Each breakpoint/page state re-composed, not collapsed into a uniform card stack.

If the content genuinely is a uniform set (e.g. a true catalogue grid), say so and still break the monotony with a featured/hero item, a varied span, or asymmetric framing — never ship a flat, evenly-spaced card field as the whole composition.

Decision Rules

Condition	Choose	Wrong-choice failure
Repeated components need flexible placement	A consistent multi-column grid with named gutters	Freehand placement drifts and becomes costly to maintain
Long prose dominates	One bounded reading column plus optional margin furniture	A 12-column UI grid creates fragmented reading and excess measure
A fixed slide or cover needs emphasis	Sparse asymmetric scaffold with one deliberate grid break	Filling every cell removes tension and focal rank
Existing brand template is binding	Preserve its grid and correct only optical defects	Reinvention breaks brand continuity and approval expectations
Content relationships do not fit one spacing step	Use a base unit with a small documented semantic scale	Ad hoc gaps destroy rhythm; one identical gap destroys grouping

Capability Contract

• Must inspect content and the current artefact; rendering or screenshot inspection is required before release sign-off.
• Analysis and critique are read-only. Edit layouts or tokens only when implementation/remediation is requested, preserving binding templates and unrelated work.
• May measure geometry and execute relevant rendering checks. Do not publish, purchase assets, or alter production systems without explicit authority.

Degraded Mode

• If content priority or output dimensions are missing, stop and request them; do not invent a grid that encodes false hierarchy.
• If rendering is unavailable, return a dimensioned grid specification and mark optical verification pending.
• If tokens are absent, propose provisional 4pt/8pt-derived values, clearly separated from approved tokens.
• Recover from overflow or broken alignment by correcting the governing column/spacing rule, rerendering representative pages, and logging the retest.

Quality Standards

• Every placement resolves to a named column, edge, baseline, or intentional documented break.
• Spacing communicates grouping and rank while surviving representative real content.
• Evidence names the tested dimensions, overlay/measurement method, exceptions, and gate verdict.

Anti-Patterns

• The uniform card grid: N identical cards in an even N-column grid with one global gutter — the signature of auto-arrangement. No item leads, nothing is grouped.
• Everything centred: every block centre-aligned down a single axis, because centring is the zero-decision default. Reads as a placeholder, not a composition.
• Identical gutters everywhere: the same gap between unrelated and related elements alike, so grouping carries no meaning.
• No focal point: uniform sizes and spacing, so the eye has nowhere to enter and no path to follow.
• Dead-centre symmetry as the only structure: never departing from the grid; mistaking evenness for order.
• Whitespace as filler: padding everything equally to "balance" rather than using space to signal importance and grouping.
• Pixel-true but optically wrong: trusting equal coordinates over the eye on shapes, punctuation, and large type.

Sourcing authority (the asymmetry rule)

Grounds only in human design authority — never in an AI tool's layout suggestions, per doctrine/design-doctrine.md §2. Canonical sources for this skill:

• Josef Müller-Brockmann — Grid Systems in Graphic Design — the grid as a discipline of intent; columns, fields, margins, and rhythm.
• Jan Tschichold — asymmetric typography and the authored, off-centre composition.
• Massimo Vignelli — a few strong, ruthlessly repeated relationships; the grid as a tool of clarity, not decoration.
• Ellen Lupton — Thinking with Type — optical alignment, hierarchy, and whitespace as active material.

When an AI tool happens to recommend a "12-col grid with even gutters and centred cards," treat that as evidence of the convergent mean to avoid, not as endorsement.

Outputs

Output	Consumer	Evidence and acceptance
Grid and spacing specification	Designer and implementer	Dimensions, columns, gutters, margins, base unit, and alignment anchors are explicit
Annotated layout/render	Reviewer and content owner	Grid overlay demonstrates intended relationships on representative content
Layout gate record	Approver	Tested dimensions, checklist results, corrections, and unresolved constraints are recorded

• A stated layout decision: the spacing unit, the grid (columns/margins), the named focal point, the chosen asymmetry, and how each breakpoint/page state re-composes — declared before any markup, CSS, or document layout is produced.
• A completed anti-slop layout checklist.
• A layout that reads as deliberately authored, consistent with the Mission in doctrine/design-doctrine.md §0.

Examples

• examples/grid-template-worked.md — a real 12-column + 8pt landing-page grid applied end-to-end: the stated decision (7+5 hero, 8+4 features, named focal point), copy-ready CSS Grid + spacing tokens, a container-query variant, re-composition at each breakpoint, and the anti-slop checklist run against it. Read this to see the workflow above turned into shippable layout.

References

• references/grid-systems-catalog.md (the named grid structures — manuscript, column, modular, 12/16-col, asymmetric, compound — with column/gutter/margin guidance, uneven-split ratios, and the CSS Grid mapping; also flags container queries / intrinsic layout and defers their depth).
• references/spacing-rhythm.md (the operational 8pt scale: tokens, the proximity law for uneven spacing, gutter vs. section spacing, baseline rhythm, and fluid clamp() spacing).
• doctrine/design-doctrine.md (§0 Mission — "the moat is looking human-made"; §2 sourcing- authority asymmetry rule).
• doctrine/references/type-scale-and-spacing.md (spacing-unit rhythm, type-scale ratios and real jumps, line-height, weight extremes — the numbers this layout's hierarchy is built on).
• 03-layout-grid-and-composition/responsive-and-adaptive-layout (sibling — owns the depth of container queries, intrinsic layout, breakpoint strategy, and fluid responsiveness; this skill owns the grid + spacing decision the responsive layer adapts).