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The editorial and finishing preferences this project's work is judged against — cut rhythm, shot selection, delivery conventions, and the corrections that have already been given. Load before assembling, restructuring, or refining any cut so the same note does not have to be given twice.
默认使用会先检查来源的 Prompt；你也可以切换为直接命令，或下载本地副本。
决定是否安装前，请先阅读 SKILL.md，以及 SkillsMP 当前展示的配套文件。
用 Codex 或 Claude 帮你安装 复制这段 Prompt，粘贴到 Codex、Claude 或其他助手里，让它检查 Skill 页面并帮你完成安装。
直接命令不会经过审查 Prompt；运行前请先检查来源。
npx skills add https://github.com/samuelgursky/davinci-resolve-mcp --skill house-style命令会保持在同一行。复制前请横向滚动并检查完整内容。
想先保存到本地？可下载 SkillsMP 当前能够提供的文件。
正在显示 SKILL.md
| name | house-style |
| description | The editorial and finishing preferences this project's work is judged against — cut rhythm, shot selection, delivery conventions, and the corrections that have already been given. Load before assembling, restructuring, or refining any cut so the same note does not have to be given twice. |
| user-invocable | false |
The craft guides in docs/guides/ describe editing in general. This file
describes how this editor wants it done — the accumulated, specific
corrections that would otherwise have to be repeated every session.
Read it before any edit task. Append to it whenever a correction is given.
This file is only worth what gets written into it. When the user corrects an editorial decision — rejects a cut, changes a shot choice, adjusts a duration, says "not like that" — do not just fix it. Fix it, then add the rule here.
A useful entry has three parts:
Write rules that are falsifiable. "Cut on motion" is a rule; "make it feel dynamic" is not. If a correction is one-off and situational, it does not belong here — this file is for what generalizes.
When an entry turns out to be wrong or too broad, edit it. A stale rule confidently followed is worse than no rule.
Not yet captured.
Not yet captured.
Not yet captured.
Not yet captured.
Things not to add unless explicitly asked. Seeded from the rough-cut deliverable
contract in the resolve-rough-cut skill, which exists because this work gets
thrown away:
Not yet captured.
Colour and look preferences are not kept here — this file travels with the
repository. Grading taste lives in the user-level colorist-assistant skill and
in persistent memory. Load those for look selection, grade transfer, and the
Resolve API traps around them.
If any entry below would be specific to one person rather than to this project's work, it belongs in the user-level skill instead, and this file should be gitignored rather than committed.
Walk through a version bump and release for the DaVinci Resolve MCP server — version selection, every file that needs updating, required validation, tag, and GitHub Release.
Assembling a short-form social rough cut from raw behind-the-scenes or vlog footage in the DaVinci Resolve MCP. Apply when asked for a rough cut, first cut, assembly, or "make me a timeline" from a folder of footage — day-in-the-life, BTS, process, or product-shoot material destined for Reels, TikTok, or Shorts. Covers ingest, shot finding at scale, vertical timeline setup, and gapless assembly.
Color grading and look work in the DaVinci Resolve MCP. Apply when grading, correcting, matching shots, developing looks, or applying/modifying LUTs, CDLs, DRX grades, or copied grades — live in a running Resolve OR offline against .drx/.drp files. Routes to the live Python color tools, the offline advanced grading/QC catalog, and the project's color craft guidance.
基于 SOC 职业分类
