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RoacherM/Wayne-Skills

SkillsMP has collected 15 skills from RoacherM/Wayne-Skills. Open a skill to review its source and details.

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Skills in this repository

2 occupation categories · 33% classified

Showing 15 of 15 collected skills.

occupation
unclassified
description

通过 okr CLI 替用户记录目标 / KR / 任务 / 习惯的进展并做周计划。触发:/okr;用户提到 OKR、KR、目标进度、指标到了多少、任务做完了 / 卡住了 / 提了 PR、习惯打卡、周计划、拆任务、派工、看板 / 进度怎么样;英文 'okr', 'kr progress', 'mark done', 'blocked', 'weekly plan', 'dashboard'。用户没说 OKR 但在汇报某个已登记目标的进展时也用。执行 agent 拿到派工包回写 claim / block /…

Source text: Chinese

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occupation
unclassified
description

Writing plays and screenplays in the Chekhovian mode (契诃夫戏剧法) — distilled from the complete plays (没有父亲的人/普拉东诺夫, 伊凡诺夫, 林妖→万尼亚舅舅, 海鸥, 三姊妹, 樱桃园, nine one-acts) plus Chekhov's own letters, Stanislavsky's and Nemirovich-Danchenko's rehearsal notes and 焦菊隐/童道明…

Source text: Chinese

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occupation
unclassified
description

Writing screenplays in the style of Ozu Yasujiro and Noda Kogo (小津安二郎・野田高梧) — distilled from six complete screenplays (晚春 Late Spring, 麦秋 Early Summer, 东京物语 Tokyo Story, 浮草 Floating Weeds, 秋日和 Late Autumn, 秋刀鱼之味 An Autumn Afternoon). Covers the "family member…

Source text: Chinese

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occupation
unclassified
description

Case studies of American screenwriting (美国电影剧作案例) — Mei Feng's readings of the Hollywood Western (value pairs, standard flow, four oppositions), screwball comedy (social identity, strong heroine, father figure, motive shifts, buddy vs adversary two-hander,…

Source text: Chinese

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occupation
unclassified
description

Character creation, protagonist/antagonist design and dramatic conflict for scripts (人物/对手/冲突) — merged from Lajos Egri (three-dimensional character, orchestration, unity of opposites, pivotal character, rising vs static vs jumping conflict, transition),…

Source text: Chinese

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occupation
Technical Writers
description

Dialogue writing and revision for screen and stage (对白/台词/潜台词/唱词) — merged from Robert McKee's Dialogue (dialogue as action, said/unsaid/unsayable, exposition as ammunition, beat = action/reaction gerunds, flaws of credibility/language/content/design,…

Source text: Chinese

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occupation
Technical Writers
description

Screenplay format, page craft, the writing process and adaptation (剧本格式/写作流程/改编) — merged from Wendy Henson's Screenwriting Step by Step (spec format rules, action paragraphs, transitions, story-doing, dramatic premise, subplots), Richard Walter (format, page…

Source text: Chinese

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occupation
unclassified
description

The screenwriting business and career (编剧行业与生意经) — merged from Diamond & Weissman's Bulletproof (buyer's-eye workflow, three Cs, one-page nine-step, set pieces, submission, notes, resilience), Eric Bork's The Idea (PROBLEM seven-element idea test, 60/30/10,…

Source text: Chinese

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occupation
unclassified
description

Japanese (and East-Asian/European non-Hollywood) screenwriting methods (日本编剧方法/原创剧本实战) — distilled from ten Japanese directors and writers in ゼロからの脚本術 (Kosawa Ryota's three-act = 起承转合 and speed by jumping, Uchida Kenji's beautiful structure and time-axis…

Source text: Chinese

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occupation
Technical Writers
description

Korean and French screenwriting practice (韩国/法国编剧方法) — from the international masterclass: Oh Seung-uk (Christmas in August, Green Fish, The Shameless: field research in disguise, "write the emotion", first act and last act first, spaces as skeleton, reading…

Source text: Chinese

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occupation
unclassified
description

Premise, theme, controlling idea, subject selection and logline for scripts (前提/主题/立意/选材/戏核) — merged from Lajos Egri's premise-as-tyrant and dialectic, Robert McKee's controlling idea (value + cause) and idea/counter-idea, Neill Hicks' five premise…

Source text: Chinese

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occupation
unclassified
description

Scene and sequence craft (场景/段落/细节/道具/悬念/情趣) — merged from Robert McKee's scene design and five-step scene analysis (value turn, beats, text/subtext, turning points, pacing, image systems), McKee's Dialogue scene types (balanced, comic, asymmetric, indirect,…

Source text: Chinese

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occupation
unclassified
description

Story structure for screenplays and stage plays (故事结构) — merged from Syd Field's paradigm and plot points, Blake Snyder's Save the Cat beat sheet and board, Robert McKee's Story (event/scene/sequence/act, inciting incident, progressive complications,…

Source text: Chinese

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occupation
Technical Writers
description

Project orchestrator for the screenwriting skill set (剧本项目主线调度 / 状态存档 / story bible) — a meta-skill that adds no new craft knowledge but routes a screenplay or stage-play project through stages (premise → structure → character → scenes → draft → revision →…

Source text: Chinese

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occupation
Graphic Designers
description

在终端里给用户看图:流程图、架构图、时序图、状态图、类图、ER 图。用户读的是终端,Mermaid 代码块显示不出来,所以任何要画图、画流程、画调用关系、画数据流、'show me'、'画个图'、'流程是什么'、diagram / flowchart / sequence / architecture 的场合都先加载本 skill,用 mmd2txt 把 Mermaid 渲染成框线字符图再贴出来。

Source text: Chinese

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Showing 15 of 15 collected skills.