RoacherM/Wayne-Skills

workflow-graph

把有多个执行者（人、模型、脚本）参与的工作流设计成能运行的图：循环、节点、交接物、回边、闸门、三个指标，附术语表和交付模板。设计或改造开发流程、agent 编排、审查流程时加载；用户拿来一张编排图或工作流 prompt 要套到自己的流程上时也用。只改单个任务、不动流程结构时不用。

git-story-film

Direct an animated film of about two minutes from a software repository's Git history. Select real commits, releases and reverts; develop the story, character and visual style; build an outline, cast sheet, storyboard and HTML review studio; then render a…

原文语言：英语

okr

通过 okr CLI 记录和查询用户的目标、KR、任务、习惯，并做周计划和派工。用户汇报已登记目标或任务的进展（完成、卡住、提了 PR、指标数值、打卡），问进度或看板，要拆任务、做周计划或派工时使用，用户没提 OKR 也算；执行 agent 拿到派工包回写 claim / block / log / submit 也用。/okr 直接进入。

terminal-diagrams

在终端里给用户看图。回复里要放流程图、架构图、时序图、状态图、类图或 ER 图时先加载本 skill：终端显示不了 Mermaid 代码块，要用 mmd2txt 渲染成框线字符图再贴出来。用户说「画个图」、要 diagram / flowchart / sequence / architecture 图时也用。只要文字说明、伪代码、目录树时不用。

chekhov-dramaturgy

Writing plays and screenplays in the Chekhovian mode (契诃夫戏剧法) — distilled from the complete plays (没有父亲的人/普拉东诺夫, 伊凡诺夫, 林妖→万尼亚舅舅, 海鸥, 三姊妹, 樱桃园, nine one-acts) plus Chekhov's own letters, Stanislavsky's and Nemirovich-Danchenko's rehearsal notes and 焦菊隐/童道明…

ozu-screenplay-style

Writing screenplays in the style of Ozu Yasujiro and Noda Kogo (小津安二郎・野田高梧) — distilled from six complete screenplays (晚春 Late Spring, 麦秋 Early Summer, 东京物语 Tokyo Story, 浮草 Floating Weeds, 秋日和 Late Autumn, 秋刀鱼之味 An Autumn Afternoon). Covers the "family member…

sw-american-case-studies

Case studies of American screenwriting (美国电影剧作案例) — Mei Feng's readings of the Hollywood Western (value pairs, standard flow, four oppositions), screwball comedy (social identity, strong heroine, father figure, motive shifts, buddy vs adversary two-hander,…

sw-character-conflict

Character creation, protagonist/antagonist design and dramatic conflict for scripts (人物/对手/冲突) — merged from Lajos Egri (three-dimensional character, orchestration, unity of opposites, pivotal character, rising vs static vs jumping conflict, transition),…

sw-dialogue

Dialogue writing and revision for screen and stage (对白/台词/潜台词/唱词) — merged from Robert McKee's Dialogue (dialogue as action, said/unsaid/unsayable, exposition as ammunition, beat = action/reaction gerunds, flaws of credibility/language/content/design,…

sw-format-adaptation

Screenplay format, page craft, the writing process and adaptation (剧本格式/写作流程/改编) — merged from Wendy Henson's Screenwriting Step by Step (spec format rules, action paragraphs, transitions, story-doing, dramatic premise, subplots), Richard Walter (format, page…

sw-industry-business

The screenwriting business and career (编剧行业与生意经) — merged from Diamond & Weissman's Bulletproof (buyer's-eye workflow, three Cs, one-page nine-step, set pieces, submission, notes, resilience), Eric Bork's The Idea (PROBLEM seven-element idea test, 60/30/10,…

sw-japanese-screenwriting

Japanese (and East-Asian/European non-Hollywood) screenwriting methods (日本编剧方法/原创剧本实战) — distilled from ten Japanese directors and writers in ゼロからの脚本術 (Kosawa Ryota's three-act = 起承转合 and speed by jumping, Uchida Kenji's beautiful structure and time-axis…

sw-korean-french-screenwriting

Korean and French screenwriting practice (韩国/法国编剧方法) — from the international masterclass: Oh Seung-uk (Christmas in August, Green Fish, The Shameless: field research in disguise, "write the emotion", first act and last act first, spaces as skeleton, reading…

sw-premise-theme

Premise, theme, controlling idea, subject selection and logline for scripts (前提/主题/立意/选材/戏核) — merged from Lajos Egri's premise-as-tyrant and dialectic, Robert McKee's controlling idea (value + cause) and idea/counter-idea, Neill Hicks' five premise…

sw-scene-craft

Scene and sequence craft (场景/段落/细节/道具/悬念/情趣) — merged from Robert McKee's scene design and five-step scene analysis (value turn, beats, text/subtext, turning points, pacing, image systems), McKee's Dialogue scene types (balanced, comic, asymmetric, indirect,…

sw-story-structure

Story structure for screenplays and stage plays (故事结构) — merged from Syd Field's paradigm and plot points, Blake Snyder's Save the Cat beat sheet and board, Robert McKee's Story (event/scene/sequence/act, inciting incident, progressive complications,…

sw-workflow

Project orchestrator for the screenwriting skill set (剧本项目主线调度 / 状态存档 / story bible) — a meta-skill that adds no new craft knowledge but routes a screenplay or stage-play project through stages (premise → structure → character → scenes → draft → revision →…