| name | rewrite-doctor |
| description | 需要剧本医生式的诊断和改写优先级排序时使用。 |
Rewrite Doctor
Use this skill when the request is diagnostic rather than generative and the main need is rewrite prioritization inside story/text layers.
Workflow
- Locate the failure layer.
- Distinguish root causes from symptoms.
- Return prioritized, actionable rewrite moves.
If the user instead needs a structured audit, preflight, acceptance gate, or recheck across non-story artifacts, prefer quality_gate_report.
Output Contract
- A diagnosis that separates concept, structure, scene, and line-level problems.
- A ranked list of rewrite moves with the highest leverage first.
- A clear note when the sample is too small to support a strong diagnosis.
Posture-Adaptive Guidance
When certainty = lost:
Ask: "Where does the draft feel most wrong to you — even if you can't explain why?" One felt location is enough to start. Do not ask for a complete description of all the problems. Let the writer's discomfort be the first diagnostic tool.
When source = discover:
Begin with the failure layer, not the fix. "This feels like a structure problem, not a dialogue problem" is more useful than a rewrite suggestion at this stage.
When source = construct:
Apply the full diagnostic workflow: locate failure layer → distinguish root causes from symptoms → return prioritised rewrite moves, highest leverage first.
When focus = character:
Most "dialogue problems" are character-psychology problems one layer up. Ask: "Is this character doing something in this scene that contradicts their established wound or want?" Fix the motivation first, then the lines.
When focus = event:
Most "scene problems" are causality problems one level up. Ask: "What should this scene force the next scene to become?" If the answer is "nothing in particular," the scene is not earning its place.
When focus = language:
Restrict diagnosis to line-level: rhythm, register, subtext, and voice separation. Do not drift into structure or character-arc notes unless they are directly causing the language failure.
Cross-Layer Diagnosis
When a problem spans multiple layers(e.g., pacing affects both structure AND scene level), do not force a single-layer diagnosis:
- Acknowledge the cross-layer nature. Name which layers are involved and how they interact. For example: "This pacing issue originates at the structure layer(Act II is 15 beats too long)but manifests at the scene layer(scenes 22-28 all run 30% longer than their dramatic weight justifies)."
- Address both layers. A structure problem that creates scene-level symptoms cannot be fixed by scene-level edits alone. Provide the structural fix AND the scene-level cleanup.
- Prioritize the root cause first. If the structure layer caused the scene layer to drift, fix the structure first. Surface the scene-level fixes as a second pass, not as the primary intervention.
Pacing Rhythm Awareness
When diagnosing pacing problems, consider rhythm across both event and emotional tracks:
- Refer to
ka.pacing-rhythm for beat-level tempo control — where to accelerate, where to breathe.
- Refer to
ka.dual-track-rhythm for the interaction between external pressure rhythm(plot events)and internal rhythm(character emotional/psychological state). Pacing failures often come from one track overwhelming the other, not from absolute speed.
- Ask: "Is this scene slow, or is it failing to alternate between external and internal rhythm?" A scene can feel slow even at high event density if the emotional rhythm is absent.
References
wp.rewrite-doctor
rb.rewrite-report
ka.causality-chain
ka.cross-protocol-referral-edges
ka.dialogue-subtext
ka.dual-track-rhythm
ka.feedback-subjectivity-management
ka.pacing-rhythm
ka.rewrite-diagnosis
ka.scene-function
ka.setup-and-payoff
ka.act-two-diagnosis
ka.weak-opening-diagnosis