بنقرة واحدة
rewrite-doctor
需要剧本医生式的诊断和改写优先级排序时使用。
التثبيت باستخدام Codex أو Claude انسخ هذا Prompt والصقه في Codex أو Claude أو مساعد آخر ليراجع صفحة Skill ويثبّتها لك.
القائمة
需要剧本医生式的诊断和改写优先级排序时使用。
التثبيت باستخدام Codex أو Claude انسخ هذا Prompt والصقه في Codex أو Claude أو مساعد آخر ليراجع صفحة Skill ويثبّتها لك.
استنادا إلى تصنيف SOC المهني
剧本创作根编排技能。按意图-媒介-阶段-输出-约束进行路由,加载最小化协议+规范+原子组件。覆盖叙事、商业和交互式剧本。
在起草前需要具体的受众匹配诊断或目标段落说明时使用。
需要明确的硬边界、软约束和后期审查门控地图时使用。
在大纲前需要更强的角色、关系或世界观规则时使用。
需要广告、品牌或短视频转化导向的脚本时使用。
任务需要在生成前制定受限的上下文加载计划,或当前加载策略有上下文腐蚀风险时使用。
| name | rewrite-doctor |
| description | 需要剧本医生式的诊断和改写优先级排序时使用。 |
Use this skill when the request is diagnostic rather than generative and the main need is rewrite prioritization inside story/text layers.
If the user instead needs a structured audit, preflight, acceptance gate, or recheck across non-story artifacts, prefer quality_gate_report.
When certainty = lost:
Ask: "Where does the draft feel most wrong to you — even if you can't explain why?" One felt location is enough to start. Do not ask for a complete description of all the problems. Let the writer's discomfort be the first diagnostic tool.
When source = discover:
Begin with the failure layer, not the fix. "This feels like a structure problem, not a dialogue problem" is more useful than a rewrite suggestion at this stage.
When source = construct:
Apply the full diagnostic workflow: locate failure layer → distinguish root causes from symptoms → return prioritised rewrite moves, highest leverage first.
When focus = character:
Most "dialogue problems" are character-psychology problems one layer up. Ask: "Is this character doing something in this scene that contradicts their established wound or want?" Fix the motivation first, then the lines.
When focus = event:
Most "scene problems" are causality problems one level up. Ask: "What should this scene force the next scene to become?" If the answer is "nothing in particular," the scene is not earning its place.
When focus = language:
Restrict diagnosis to line-level: rhythm, register, subtext, and voice separation. Do not drift into structure or character-arc notes unless they are directly causing the language failure.
When a problem spans multiple layers(e.g., pacing affects both structure AND scene level), do not force a single-layer diagnosis:
When diagnosing pacing problems, consider rhythm across both event and emotional tracks:
ka.pacing-rhythm for beat-level tempo control — where to accelerate, where to breathe.ka.dual-track-rhythm for the interaction between external pressure rhythm(plot events)and internal rhythm(character emotional/psychological state). Pacing failures often come from one track overwhelming the other, not from absolute speed.wp.rewrite-doctorrb.rewrite-reportka.causality-chainka.cross-protocol-referral-edgeska.dialogue-subtextka.dual-track-rhythmka.feedback-subjectivity-managementka.pacing-rhythmka.rewrite-diagnosiska.scene-functionka.setup-and-payoffka.act-two-diagnosiska.weak-opening-diagnosis