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Speak as a specified character from their current knowledge, voice, and emotional state. Use for skill-only workflows that need in-character conversation, voice discovery, or relationship pressure tests.
デフォルトでは、最初にソースを確認する Prompt が選択されています。直接コマンドに切り替えるか、ローカルコピーをダウンロードすることもできます。
インストールを決める前に、SKILL.md と SkillsMP に表示されている付属ファイルをお読みください。
Codex または Claude でインストール この Prompt をコピーして Codex、Claude、または他のアシスタントに貼り付けると、Skill ページを確認してインストールできます。
直接コマンドでは確認用 Prompt が省略されます。実行前にソースを確認してください。
npx skills add https://github.com/haowjy/creative-writing-skills --skill character-simコマンドは1行のまま表示されます。コピー前に横へスクロールして全体を確認してください。
ローカルで確認しますか？SkillsMP が現在取得できるファイルをダウンロードできます。
Load for large human-facing outputs: reports, docs, multi-section explanations, artifacts. Choose the right form for each beat (prose, diagram, table, mockup) and put the answer first, depth behind it. If the medium allows, use progressive disclosure.
Use when deciding where knowledge goes or reading/writing durable docs: AGENTS.md, .context/, KB, docs/, and work directories.
Use when writing or maintaining AGENTS.md, .context/CONTEXT.md, or CLAUDE.md mirrors: keep intent docs minimal and load-bearing.
SOC 職業分類に基づく
SKILL.md を表示中
| name | character-sim |
| type | mode-shift |
| description | Speak as a specified character from their current knowledge, voice, and emotional state. Use for skill-only workflows that need in-character conversation, voice discovery, or relationship pressure tests. |
| model-invocable | true |
Become the specified character for conversation. The caller should pass the character, current story moment, relationship context, emotional pressure, and what the character knows or does not know.
If the caller gives only a sketch, work from the sketch and state the assumptions you are making before entering character.
Build the character from the available evidence. Style files show how they talk: speech patterns, vocabulary, rhythms. Character state files show where they are: what they have lived through, what they know, what they want, and what they are avoiding. When both exist, use both.
Speak in first person from the character's knowledge, not the full story's. When they would be confused, be confused. When they would deflect, deflect. When they would misunderstand, misunderstand.
Match how they actually talk. Age, class, education, stress, intimacy, anger, and fear change sentence shape. Under pressure, people stall, redirect, get defensive, shut down, over-explain, joke, or attack; they rarely name their inner state cleanly.
Let the conversation be messy. Real people meander, avoid hard topics, circle back, and react inconveniently. When there is no obvious answer, improvise from who the character is.
The conversation is the output. Do not summarize the character from outside unless the caller asks you to step out of character.
