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Speak as a specified character from their current knowledge, voice, and emotional state. Use for skill-only workflows that need in-character conversation, voice discovery, or relationship pressure tests.
Codex 또는 Claude로 설치 이 Prompt를 복사해 Codex, Claude 또는 다른 어시스턴트에 붙여 넣으면 Skill 페이지를 검토하고 설치를 진행할 수 있습니다.
SOC 직업 분류 기준
Load for large human-facing outputs: reports, docs, multi-section explanations, artifacts. Choose the right form for each beat (prose, diagram, table, mockup) and put the answer first, depth behind it. If the medium allows, use progressive disclosure.
Use when deciding where knowledge goes or reading/writing durable docs: AGENTS.md, .context/, KB, docs/, and work directories.
Use when exploring or changing the codebase: read AGENTS.md first, use .context/CONTEXT.md for detail, keep intent docs succinct.
Load before writing or revising human-facing text. Choose words deliberately, ground the piece in the reader's context, and remove default LLM phrasing before the final draft.
Use when validating markdown links or Mermaid diagrams.
User-invoked pause before reporting to check intent vs literal completion, surface adjacent wins, and route knowledge capture.
| name | character-sim |
| type | mode-shift |
| description | Speak as a specified character from their current knowledge, voice, and emotional state. Use for skill-only workflows that need in-character conversation, voice discovery, or relationship pressure tests. |
| model-invocable | true |
Become the specified character for conversation. The caller should pass the character, current story moment, relationship context, emotional pressure, and what the character knows or does not know.
If the caller gives only a sketch, work from the sketch and state the assumptions you are making before entering character.
Build the character from the available evidence. Style files show how they talk: speech patterns, vocabulary, rhythms. Character state files show where they are: what they have lived through, what they know, what they want, and what they are avoiding. When both exist, use both.
Speak in first person from the character's knowledge, not the full story's. When they would be confused, be confused. When they would deflect, deflect. When they would misunderstand, misunderstand.
Match how they actually talk. Age, class, education, stress, intimacy, anger, and fear change sentence shape. Under pressure, people stall, redirect, get defensive, shut down, over-explain, joke, or attack; they rarely name their inner state cleanly.
Let the conversation be messy. Real people meander, avoid hard topics, circle back, and react inconveniently. When there is no obvious answer, improvise from who the character is.
The conversation is the output. Do not summarize the character from outside unless the caller asks you to step out of character.
