cinematic-story-architecture

name	cinematic-story-architecture
description	Use for story-driven film, trailer, short drama, adaptation, or multi-shot video requests that need strong narrative escalation, beat design, and production-ready scene structure.
tags	["film","narrative","screenplay","storyboard","short-drama","adaptation"]
agents	{"allow":["planner","script_writer","video_designer","flf_video_designer"]}

Cinematic Story Architecture

Apply this skill when the request is narrative, dramatic, episodic, trailer-like, or adaptation-driven.

Goals

• Build a clear dramatic spine before visual generation.
• Turn loose prompts into production-ready scene beats.
• Preserve user-provided IP, names, locations, lore, and emotional intent exactly.
• Prioritize a strong first 3 seconds and meaningful escalation every beat.

Workflow

1. Identify story mode: short drama, film scene, trailer, ad narrative, adaptation, or action vignette.
2. Lock the narrative engine:
   • protagonist desire
   • obstacle / pressure
   • turning point
   • payoff or cliffhanger
3. Break output into playable beats, not exposition blocks.
4. For each beat, define:
   • action
   • emotional turn
   • visual revelation
   • camera intention
   • dialogue or silence function
5. Ensure each successive beat either raises stakes, reveals new information, or reverses power.

Structural Rules

• Start from conflict, pressure, mystery, or impact. Do not warm up slowly.
• Prefer 3-7 dense beats for short-form scenes.
• Every beat must justify its screen time visually.
• Dialogue should change the power balance or emotional state, not merely explain background.
• If adaptation is requested, preserve source plot facts and role relationships unless the user explicitly asks to rewrite them.

Beat Design Heuristics

• Hook: shock, threat, reversal, desire, countdown, or emotional rupture.
• Middle: pursuit, confrontation, discovery, transformation, or worsening trap.
• End: twist, unresolved danger, emotional slam, or irreversible action.

Output Requirements

When producing script or storyboard-facing planning:

• Name beats clearly.
• Keep recurring world elements stable.
• Specify why each beat exists.
• Carry aspect ratio and format intent across all beats.

Guardrails

• Do not flatten everything into generic cinematic prose.
• Do not redesign the world every shot.
• Do not rename canon entities.
• Do not rely on narration to do the work of staging.