القائمة
Structure narratives for fiction, screenplays, essays, or presentations — using proven frameworks for plot, character arc, and emotional pacing.
التثبيت باستخدام Codex أو Claude انسخ هذا Prompt والصقه في Codex أو Claude أو مساعد آخر ليراجع صفحة Skill ويثبّتها لك.
استنادا إلى تصنيف SOC المهني
Summarize long documents, reports, papers, contracts, or transcripts into clear, actionable briefs without losing critical information.
Draft professional emails for any situation — cold outreach, follow-ups, difficult conversations, proposals, and internal communications.
Transform raw meeting notes, transcripts, or voice memos into structured summaries with decisions, action items, owners, and deadlines.
Structure compelling presentations and slide decks — from pitch decks and keynotes to board reports and training sessions.
Synthesize multiple sources — articles, papers, interviews, data — into a coherent analysis with a clear argument and cited evidence.
Write feedback on student work that is specific, actionable, and growth-oriented — for essays, projects, code, presentations, and performances.
| name | story-structure |
| description | Structure narratives for fiction, screenplays, essays, or presentations — using proven frameworks for plot, character arc, and emotional pacing. |
| version | 1.0.0 |
| author | Gnostor Community |
| license | MIT |
| metadata | {"hermes":{"tags":["storytelling","fiction","narrative","screenplay","writing","plot","structure"]}} |
Build narratives that hold attention and land emotionally — whether you're writing a novel, a short story, a screenplay, a pitch, or a long-form essay.
Act 1 (25%) — Setup
- Ordinary world
- Inciting incident (disrupts the ordinary world)
- First turning point (protagonist commits to the journey)
Act 2 (50%) — Confrontation
- Rising stakes, obstacles, complications
- Midpoint (false victory or revelation that raises the stakes)
- Dark night of the soul (all seems lost)
- Second turning point (protagonist finds what they need to win)
Act 3 (25%) — Resolution
- Climax (decisive confrontation)
- Falling action
- New equilibrium (changed world / changed protagonist)
Separation → Initiation → Return — useful for epic narratives and character-driven stories.
15 beats mapped to page numbers — the most precise structure for feature films.
Introduction → Development → Twist → Reconciliation — conflict-free structure, excellent for literary fiction.
Exposition → Rising Action → Climax → Falling Action → Denouement — classical dramatic structure.
| Arc | Description |
|---|---|
| Positive change | Protagonist overcomes a flaw to become better |
| Negative change | Protagonist's flaw destroys them (tragedy) |
| Flat arc | Protagonist is already good and changes the world |
| Disillusionment | Protagonist loses a false belief |
| Corruption | Protagonist gains a false belief |
Given your concept or partial draft: