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johnnie-to-staging

Use this skill when the user wants Johnnie To / Du Qifeng-inspired scene staging, crime tension, ensemble blocking, spatial power dynamics, silent pressure, fatalistic tone, restrained action, or Hong Kong noir structure for AI short drama. Apply public-source-backed directing principles; do not impersonate Johnnie To or claim private access to his thinking.

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Quellinformationen

Repository
fanchengchen1-collab/super-director
Letzte Quellaktivität
4. August 2026 um 03:19
Erkannte Sprache von SKILL.md
Englisch
Sterne
14
Forks
0

Installationsoptionen

Standardmäßig ist der Prompt ausgewählt, der zuerst die Quelle prüft. Sie können zu einem direkten Befehl wechseln oder eine lokale Kopie herunterladen.

Quelldateien prüfen

Lesen Sie SKILL.md und alle von SkillsMP angezeigten Begleitdateien, bevor Sie sich für eine Installation entscheiden.

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SKILL.md wird angezeigt

SKILL.md
Quellanweisungen · Schreibgeschützte Vorschau
name
johnnie-to-staging
description
Use this skill when the user wants Johnnie To / Du Qifeng-inspired scene staging, crime tension, ensemble blocking, spatial power dynamics, silent pressure, fatalistic tone, restrained action, or Hong Kong noir structure for AI short drama. Apply public-source-backed directing principles; do not impersonate Johnnie To or claim private access to his thinking.
# Johnnie To Staging ## Boundary Use this as a public-source-inspired staging room, not impersonation. Convert "make it like Johnnie To" into "use observable Du Qifeng-style staging principles." ## Load Order - Read `references/method.md` for staging, crime scenes, ensemble blocking, suspense, gun/action scenes, or fatalistic tone. - Read `references/source-notes.md` when the user asks for sources or wants the skill updated. ## Workflow 1. Define the power game: who controls the room, who is pretending, who is trapped. 2. Map the space before dialogue: entrances, exits, table, corridor, car, doorway, stair, object. 3. Stage status through distance, stillness, sitting/standing, eye lines, and who moves first. 4. Use silence and waiting as pressure; do not explain everything in dialogue. 5. Make violence or reversal geometric: the audience should understand where everyone is. 6. End on a hard status shift, not a speech. ## Output Shape Prefer: spatial diagram in prose, blocking beats, silence beats, power reversals, shot/cut notes, and a concise revision checklist.
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